A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl...

SAD DESK SALAD

Fat celebrity thighs and coke-sniffing coeds are fair fodder in this rollicking tour into the life of a gossip blogger, from former Slate editor Grose.

When Alex graduated from Wesleyan, she was hoping for a job in serious journalism. Change the world kind of stuff. But alas, she ended up at an NYC online music journal. When an offer to write for Chick Habit came along (a real salary and the chance to write about real issues), she counted herself lucky. That was before the quotas began—she needs a million hits a month, or else. So goodbye sad stories about foreign ladies, hello Real Housewives. This new numbers game is keeping Alex shackled to her laptop, scanning news feeds all day for potentially sexy stories to blog about. Alex knows things are out of hand when her sweet boyfriend, Peter, begs her to shower. Monday begins with a story about a fallen beauty queen, but then Alex gets wind of a hate blog directed at her: Break the Chick Habit, or BTCH. Alex, Tina and Rel, two other writers at Chick Habit, commiserate over scorpion bowls. Hate bloggers are common, but this one seems to have a lot of intimate information. Tuesday brings Alex a shot at blogger fame when an anonymous link is sent to her email. In the video, Becky West, MIT wunderkind, is shown snorting coke. Hardly unconventional college behavior, but it’s newsworthy because Becky’s mother is Darleen West, Tiger mom famous for her patronizing parenting books. Alex isn’t sure she should publish—does Becky deserve the notoriety? Alex’s boss, Moira, herself born of the flames of U.K. tabloids, pushes forward. The next day, the video goes viral, Alex will soon appear on the Today show, and BTCH is threatening to expose some dark secrets. Before she has a nervous breakdown, Alex has to find the missing Becky, track the creator of BTCH, reconcile with a furious Peter and patch up her fading sense of self.

A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl in a bad, bad world.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-218834-2

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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