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NIGHT MOVES

The nonsequential entries make it difficult to chart Hopper’s growth, but that isn’t her game. In this lively and funny...

Down but not out in the hardscrabble Chicago of the 2000s.

Pitchfork writer Hopper (The First Collection of Criticism by a Living Female Rock Critic, 2015, etc.), who was also a music consultant for This American Life, freestyles her way through the past in this spirited random-access journal of her Chicago days in the early 2000s, when she struggled to get by while taking in the sights. There’s the guy on the roof, peeing into a duct (“Does he know where that duct goes?...Is he a handyman who hates his job?...Is our duct next?”), and the disappointed evangelical who finally loses it. (“Whuddup, bitch? Why didn’t you take a pamphlet? You can just ignore him like that? Huh? Beeitch!”) Hopper mostly got around by bike or foot, subsisted on crummy jobs, attended concerts, and fell in and out of relationships that left her buoyant or bummed out (“I think he thought I was just being vindictive for that time he ruined 1997-2002”). The author doesn’t just observe; she also asks the right questions: “You know how some nights you leave the house wanting to milk summer for all it’s worth, but all you get is a good glimpse at the rotten soul of the universe as it exists in and outside of yuppie jazz discos?” The weather was often unforgiving—“everyone is feeling the deep funk of winter’s bitch turn”—but the city was not: “It is profoundly comforting to live in a city that doesn’t give a shit and loves you how you are, because it is every bit as marred, bereft, and cocky as you are.”

The nonsequential entries make it difficult to chart Hopper’s growth, but that isn’t her game. In this lively and funny collection, she bears vivid witness to an industrial punk landscape that is both crumbling and evolving beneath her bare feet.

Pub Date: Sept. 18, 2018

ISBN: 978-1-4773-1788-4

Page Count: 184

Publisher: Univ. of Texas

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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