Puts the “erotic” back in “erotic thriller.”
A Hollywood writer returns to her college town for a funeral only to get pulled back into the complicated relationships she left behind.
Faye Heron knows she never would have launched her successful career without the support of Professor Toner, or PT, her former professor. So when he dies unexpectedly, she returns to the small town in upstate New York that’s so full of memories, and that she’s avoided for most of the last decade. She’s anxious to see PT’s nephews, Campbell and Henry, the former a good friend and the latter an ex-boyfriend who inspired one of her first writing credits for television. In sharing some of the intimate details of their relationship, she feels both vindicated in having spoken her truth and afraid that Henry might be angry. Because their relationship, in which Henry dominated a submissive Faye, was also an obsessive one: sexual, raw, and often violent. As she struggles to control and to understand her reawakened feelings for Henry, Faye discovers that PT’s death may not have been natural. When Henry blackmails Faye into accompanying him to a remote family cabin for a week, she finds herself drawn back into their dangerous dynamic: Even as he threatens her, she desires him. The ending offers an interesting retrospective frame for the rest of the novel as Faye makes a pitch to sell her story after the fact. With a tongue-in-cheek reference to Fifty Shades of Grey, Knoll tackles the elephant in the room, and then goes on: “But how do you do an elevated version of that in today’s climate? It’s a delicate line to walk and no one is even trying.” Well, Knoll is, and true to form, she absolutely goes there in this novel, offering a nuanced and unapologetic portrait of an unconventional relationship without judgment.
Puts the “erotic” back in “erotic thriller.”Pub Date: July 7, 2026
ISBN: 9781668062302
Page Count: 320
Publisher: Scribner
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
SEEN & HEARD
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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