Knoll (Luckiest Girl Alive, 2015) turns her cynical eye to sibling rivalry and the twisted—and, in this case, murderous—world of reality TV.
Meet the entrepreneurial ladies of the New York City–based reality show Goal Diggers. Brett Courtney is the youngest cast member. She’s been known to reach for a second doughnut and is committed to convincing the clients of her popular WeSPOKE spinning classes that being skinny is not the key to being healthy. Her engagement to her girlfriend, Arch, is the icing on the reality show cake. Stunning Stephanie Simmons is the only African-American cast member and a bestselling author, but her struggle with depression threatens to hold her back. Juice bar guru and famously vegan Jen Greenberg indulges in secret turkey bacon binges, and dating website creator Lauren Bunn is known as Lauren Fun! Brett’s older sister and business partner, Kelly, a single mother whose 12-year-old daughter is a showstopper, is the new cast member and is everything that Brett has never been: thin, beautiful, and, as far as Brett is concerned, always their parents' favored daughter. Executive producer Jesse Barnes turns the screws and showrunner Lisa Griffin cracks the whip as Brett and Stephanie detail the production of Season 4 in alternating first-person narratives. Opening and closing the book (and sprinkled a few times in between) are sections narrated by Kelly in which she sits down with Jesse for on-camera interviews in the aftermath of Brett's death, but the truth of how Brett died isn’t revealed until the final act. Knoll explores the pressure society places on women to be everything to everyone and do it all without a strand of hair out of place. There’s enough conniving, scandal, and snark to rival the most shocking episodes of Real Housewives, and these cutthroat divas play to win even if it means blurring the line between truth and lies. In the end, murder seems inevitable. Season 4 will end with a bang, and there will be blood.
Dizzying and overwrought but salaciously entertaining nonetheless.Pub Date: May 15, 2018
ISBN: 978-1-5011-5319-8
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: March 6, 2018
Kirkus Reviews Issue: March 15, 2018
Categories: GENERAL THRILLER & SUSPENSE | LITERARY FICTION | SUSPENSE | SUSPENSE
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BOOK REVIEW
A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.
Pub Date: Oct. 21, 1986
ISBN: 0553381547
Page Count: 686
Publisher: Houghton Mifflin
Review Posted Online: Oct. 30, 2013
Kirkus Reviews Issue: Sept. 15, 1986
Categories: LITERARY FICTION
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SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
79
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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