Next book

A LOST KITTEN

A titillating opening to a space-opera romance series, with enough unique elements to overcome its flaws.

In her first volume of the Sea-anan romance saga, debut author Kong introduces a war-torn galaxy populated by strange aliens with mystical abilities.

When a traitor allows a growing tyrannical empire to destroy Sea Base Ten, half-human Seacat John McCall and his siblings, the royal family of the Sea-anan Empire, fight against the conquerors, the Dominion, until the civilians can fly to safety. Sending their own ships in opposite directions to lead the enemy astray, the siblings are separated, and John is stranded in an unrecognizable part of space, where’s he unable to contact his people. When a group of Surrealans offer him a lift on the condition they stop at their planet first, John is suspicious but desperate. He agrees, not realizing that the Surrealans have ulterior motives: In order to revive their own people from a ghostlike state, the Surrealans must find the soul mates of their people. John is the soul mate of Jasira, a schoolteacher and midwife’s assistant with a fiery temper and a stubborn streak well-suited to challenging the Seacat warrior. But a war against her people left Jasira and many other Surrealans as mist, invisible and silent to non-Surrealans, only able to reform as solid people by borrowing energy from their soul mates. In a series of erotic encounters, she seduces John, who believes he’s hopelessly in love with a ghost. Their peculiar relationship, formed by communicating only through sex and yes-or-no questions, strengthens as they realize they both want the same thing out of life: a family they can keep safe from tyranny and prejudice. Combining elements of sci-fi and fantasy in a space-opera style, Kong has created a strange new universe peopled with interesting alien races. The physical romance between John and Jasira is steamy, though their interactions are necessarily confined, and John has a tendency to scold his ghostly love. The prose is occasionally awkward, too, and the expression of alien dialects is often more confusing than atmospheric. Still, the setup is intriguing, and given the number of John’s siblings, the Sea-anan saga has the potential to keep readers entertained for several installments.

A titillating opening to a space-opera romance series, with enough unique elements to overcome its flaws.

Pub Date: Aug. 7, 2012

ISBN: 978-1475143409

Page Count: 282

Publisher: CreateSpace

Review Posted Online: Oct. 21, 2013

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

Awards & Accolades

Likes

  • Readers Vote
  • 565


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

Close Quickview