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JULIÁN IS A MERMAID

Though it could easily feel preachy, this charmingly subversive tale instead offers a simple yet powerful story of the...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • IndieBound Bestseller


  • Stonewall Book Awards Winner

Julián knows he’s a mermaid.

On the el with his abuela, Afro-Latinx Julián looks on, entranced, as three mermaids enter their car. Instantly enamored, Julián imagines himself a mermaid. In a sequence of wordless double-page spreads, the watercolor, gouache, and ink art—perfect for this watercentric tale—depicts adorable Julián’s progression from human to mermaid: reading his book on the el with water rushing in, then swimming in that water and freeing himself from the constraints of human clothing as his hair grows longer (never losing its texture). When Julián discovers he has a mermaid tail, his charming expressions make his surprise and delight palpable. At home, Julián tells Abuela that he, too, is a mermaid; Abuela admonishes him to “be good” while she takes a bath. A loose interpretation of being “good” could include what happens next as Julián decides to act out his “good idea”: He sheds his clothes (all except undies), ties fern fronds and flowers to his headband, puts on lipstick, and fashions gauzy, flowing curtains into a mermaid tail. When Abuela emerges with a disapproving look, readers may think Julián is in trouble—but a twist allows for a story of recognition and approval of his gender nonconformity. Refreshingly, Spanish words aren’t italicized.

Though it could easily feel preachy, this charmingly subversive tale instead offers a simple yet powerful story of the importance of being seen and affirmed. (Picture book. 3-8)

Pub Date: May 22, 2018

ISBN: 978-0-7636-9045-8

Page Count: 40

Publisher: Candlewick

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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