A quiet reminder that the stars are not out of reach, with work and well-timed help.
Increasingly severe symptoms of claustrophobia threaten to derail 11-year-old Arno’s dreams of becoming an astronomer.
It’s 1961, the space race is on, and it seems everyone has stars in their eyes. Being a confirmed sky watcher with an eye-rolling habit of rattling off astro-facts at the drop of a hat, Arno is at first over the moon when he wins an invitation to the opening of a new observatory nearby. But then the thought of the dark and the crowds—and a panic attack in a movie theater—dim all the claustrophobic boy’s hopes. At the same time Arno’s friend Buddy finds his own hopes of becoming an astronaut dashed after he realizes why he can’t see that Mars is red. Though their personalities clash by day, a confessional nighttime meeting in Arno’s backyard brings out their better natures, as Arno offers Buddy telescopic views of astronomical wonders, and Buddy suggests coping techniques for Arno drawn from the astronaut-training program. Budding chemist Mindy leads a supporting cast that, like the protagonist and his family, defaults to white. Writing in a believably childlike third-person, Kerrin adds period details and handwritten pages of “Deep Thoughts” from Arno’s astronomy notebook to her low-key tale, and she closes with notes on the space program’s later history…including a mention of Roger Crouch, a colorblind payload specialist.
A quiet reminder that the stars are not out of reach, with work and well-timed help. (Fiction. 9-11)Pub Date: Aug. 6, 2019
ISBN: 978-1-77306-240-2
Page Count: 192
Publisher: Groundwood
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
This bittersweet tale takes readers into a dark, ancient woods in the American Northwest. A father and son make this forest their special place to commune with the wild, to visit with the creatures that live therein, and to revel in the mesmerizing views. One day they find spots painted on the trees, markings for loggers. The boy and his father and family ignite a small grassroots resistance to the felling of the trees. They fight for something they believe in—it is almost a sacred obligation for them—but they are unsuccessful: the laws governing private property prevail. The trees are cut and, luckily, the father and son find another stand in which to take solace. The Rands (A Home for Spooky, 1998, etc.) offer a bright fusion of the cautionary and the inspirational, and the artwork is effective in conveying the outsized majesty of the old growth. (Picture book. 6-9)
Pub Date: March 1, 1999
ISBN: 0-8050-5466-9
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
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