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ONE THING BETTER

A complex and hugely satisfying contemporary romance between genuine, flawed people.

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In Sherry’s novel, an embattled woman finds unlikely second chances in the wake of her mother’s death.

Feeling flummoxed and vulnerable, Lena Buckley is dealing with more than her fair share of life's troubles: She’s 35, without many exciting personal or professional prospects on the horizon, living in her family’s run-down farm house (where “everything here is edges toward broken”) and dealing with her usual anxieties, which have only been exacerbated by the recent death of her mother. She and her younger brother, Lucas, have finished sorting through their mother’s things, and he’s flown back to Malibu, leaving her alone in the old house with a million loose ends to tie up (and feeling like her entire life is one big loose end). Her dogged philosophy through all of this has been the simple goal that forms the book’s title, but even that often seems beyond her reach. Into this messy, muddled world comes local policeman Ben Wright, who, on the surface, appears to be Lena’s opposite in every way that matters—he’s orderly, in control, and efficient (and good-looking: When Ben pulls Lena over to give her a speeding ticket, she notices “his chiseled face seems permanently fixed on tough-guy-having-a-bad-day”). But he’s hiding some internal damage and conflict as deep as Lena’s own, as she slowly discovers when she decides that, after “three years of a stalled life,” she requires a change. When a twist of fate brings her into contact with Ben again, a guarded, awkward friendship slowly begins to grow into something more.

The author crafts the tale of this unlikely friendship in ways that are both subtle and surprising. The central factor in the utterly winning quality of the narrative is Lena herself, hapless but not helpless, sarcastic but not mean, loving to everybody but her own harshest critic. Sherry expertly varies Lena’s different registers, from biting humor (when a married couple wants to swoop in and buy the old family house, Lena notices of the wife, “Her serial-killer vibe matches her husband’s”) to merciless self-castigation (“I’m jobless, practically homeless, and destined for my brother’s pool house,” she thinks in one such moment. “I have absolutely nothing to offer, and I suck at relationships”). This produces the natural, unforced effect of making the reader feel protective, and it adds a sharp intensity to her beautifully rendered longing for something more (an “all in, unapologetic, honest love”), which she begins to feel for Ben. “There’s a soft moment in the empty space between us that edges on relief,” she observes, “like he’s jiggling the lock on the door I’m trapped behind.” Readers accustomed—maybe too accustomed—to the typical meet-cute, witty-banter, early-to-bed, early-to-wed template of many contemporary romances will find the emotionally complicated situation the author creates in these pages immensely refreshing; these are two far from perfect, believable characters slowly chipping away at the barriers they’ve erected against the happiness they want. When Lena observes that “falling in love is all about the little things,” this narrative will make readers believe it.

A complex and hugely satisfying contemporary romance between genuine, flawed people.

Pub Date: Oct. 24, 2023

ISBN: 9798988725411

Page Count: 408

Publisher: Self

Review Posted Online: Oct. 5, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE LOVE HYPOTHESIS

Fresh and upbeat, though not without flaws.

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An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.

Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.

Fresh and upbeat, though not without flaws.

Pub Date: Sept. 14, 2021

ISBN: 978-0-593-33682-3

Page Count: 384

Publisher: Berkley

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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GRIM TIDINGS

A lovely and moving romance that examines what it truly means to live.

Opposites attract when a Grim Reaper clashes with a Guardian Angel in this whimsical paranormal romance.

Darcy Moore is in a bit of a tough spot; she’s a Grim Reaper who’s grown tired of death. When she’s given her next assignment, Darcy decides to go rogue. Rather than reaping, Darcy is determined to save her mark, which only upsets the balance kept by the Department of Hauntings and Spirits. Nothing good comes from a Grim Reaper who’s gone AWOL. Bartender Gabriel Aetos works as a Guardian Angel. He doesn’t take kindly to the fact that a Grim Reaper is slinking around his territory. His role is to protect people, while hers is to usher souls into death. To him, their very natures are at odds and his sudden attraction to Darcy won’t change that. This is very much a grumpy-meets-grumpy romance. Gabriel tries hard to keep Darcy at arm’s length and is open about his mistrust of her. Darcy’s standoffishness, though, is born out of her feelings of isolation and loneliness. Dealing in death has taken an obvious toll on her, and she’s traveling her own introspective path on what it means to be human. Darcy’s fragility is what slowly convinces Gabriel to get close to her, despite the heady yearning he keeps under wraps. However, both view their jobs as central to their existence, for better or worse. While Darcy is actively wondering what it would mean to break free of her Grim Reaper responsibilities, Gabriel has never seemed to ponder being anything other than a Guardian Angel. Borison’s romances—most recently And Now, Back to You (2026)—always strike an emotional chord, with deep-seated conflicts that tap into themes of identity, connection, and grief. This addition is truly the epitome of a Borison romance.

A lovely and moving romance that examines what it truly means to live.

Pub Date: Sept. 15, 2026

ISBN: 9780063430464

Page Count: 352

Publisher: Avon/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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