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DICTATORSHIP OF THE DRESS

Though sometimes the language isn't as witty or romantic as it's trying to be, Topper makes good use of the dress as a plot...

Two strangers in transit share plenty of baggage in Topper’s (Louder Than Love, 2013) second romance.

Former Marvel Comics illustrator Laney Hudson isn't thrilled about having to transport her mother’s wedding gown from New York to Hawaii as carry-on luggage. Naturally, though, when people see a woman lugging a wedding gown, they're going to assume she's the bride, which Laney uses to her advantage to get bumped to first class on the first leg of her journey, from New York to Chicago. Seated next to her is Noah Ridgewood, a software designer with an acute fear of flying and a demanding socialite fiancee who's giving him a serious case of cold feet. When a flight attendant mistakenly announces Laney’s and Noah’s pending nuptials with a champagne toast, they have no choice but to ride out the charade until they land in Chicago. From there, they will surely go their separate ways. His destination is Vegas, where his bachelor party is already underway, and she has miles to go before she can watch her mother get married on Waipouli Beach. Fortunately, a bad storm grounds both of their connecting flights, giving Laney and Noah more time to get to know each other. Their interactions evolve in a typical arc, starting with faintly antagonistic banter and ending with intimate epiphanies, but Laney and Noah are unique, likable characters worth rooting for as they fall in love and try to overcome the complications of their situation. At the end of their magical layover, Noah still needs to contend with his fiancee, Sloane, who is also the boss’s daughter, and Laney still has to face her own romantic past: a turbulent relationship with her rock drummer boyfriend who suffered an untimely death. And let’s not forget Laney’s mother, waiting in Hawaii for her wedding dress.

Though sometimes the language isn't as witty or romantic as it's trying to be, Topper makes good use of the dress as a plot device and infuses enough fun and suspense into the rollicking storyline to make it a satisfying read.

Pub Date: Jan. 6, 2015

ISBN: 978-0-425-27625-9

Page Count: 320

Publisher: Berkley Sensation

Review Posted Online: Nov. 8, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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