A tender ode to a family’s ever changing (and never-ending) love.
In lyrical rhyme, a parent promises to love their child across the years of their special bond.
An adult with warm brown skin and long brown hair and a red dress floats above a sleeping town, cradling a baby. Meanwhile, an adult with a somewhat deeper-brown complexion and straw fedora shelters a different child from a downpour. A unified narration offers a series of tender, metaphor-driven vignettes spanning the little ones’ lifetimes. The scenes follow a gentle formula, depicting a stage in the kids’ lives and the support the adults vow to provide (“you’ll be a knight and I’ll be a horse. / We’ll race along a rainbow’s course / to castles in the sky”) then seamlessly shifting into a new iteration of their connection (“until it’s time to fly. / Then…”). As the story progresses, each child’s autonomy grows; in turn, each adult lovingly acknowledges the change their relationships will take. Combining lyrical words with vibrant paintings and occasionally rotating spreads, Young and López weave a rich tapestry that honors the process of children’s self-determination over time. Most notable about this warmhearted tale is how it can be applied to any special adult in a child’s life, including caregivers, extended family, and chosen family. Because each parent-child duo is illustrated as a distinct unit, this book is also a beautiful representation of single parents. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 16% of actual size.)
A tender ode to a family’s ever changing (and never-ending) love. (Picture book. 4-10)Pub Date: March 9, 2021
ISBN: 978-0-316-45328-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
PERSPECTIVES
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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