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FLORENCE IN ECSTASY

An enigmatic but engaging debut.

A Boston woman tries to treat her eating disorder by traveling to a place where she knows no one, the art-filled city of Florence, Italy.

Hannah is well-aware that anorexia nervosa and bulimia—conditions that began when she was 28—can be life-threatening or lead to serious, long-term health problems. She also understands that they’re difficult to treat. She's gone to doctors and psychotherapists, but neither has helped her. Friends and family are worried, especially since the illness has caused Hannah to lose her job in a Boston art museum. Hannah resents their constant badgering and opts for a change of scene, traveling to the Tuscan capital and settling in a city known for abundant religious and secular art. For a time, it works: Hannah is passionate about studying the great works on display nearly everywhere she goes and does well, perusing typical tourist hot spots and eating, drinking, and making friends with members of a local rowing club. She finds a boyfriend, the slightly older Luca, and, after several months of relaxed vacationing, even finds employment at the private Serroni Library, a feat that enables her to support herself once her savings are exhausted. Then, a random encounter with a former colleague triggers a relapse. Within days of the meeting, Hannah cuts herself off from everyone. She stops going to work, stops eating, stops answering the phone, and retreats into books about female saints who literally starved themselves to death in pursuit of a connection with God. Catherine of Siena, who ate and drank almost nothing so she would be “empty for prayer,” and St. Angela, who “stripped [herself] of everything,” hold Hannah in thrall. It’s upsetting to witness her precipitous decline. At the same time, the novel never fully explains how or why the disorder developed; Hannah herself seems mystified by its sudden appearance. Still, since eating disorders usually manifest in adolescence, and not in 20-something adults like Hannah, the story begs for a bit more detail.

An enigmatic but engaging debut.

Pub Date: May 16, 2017

ISBN: 978-1-944700-17-1

Page Count: 240

Publisher: Unnamed Press

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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