Greengrass digs deep below the surface to explore the human condition and presents the reader with unearthed truths to...
This debut novel considers the intrinsic intimacy and distance between mother and daughter, from the perspective of a narrator who is both, as well as the struggle to clearly see one another and oneself.
A woman, pregnant with her second child, gazes out a window at her firstborn, a little girl, playing in the garden, and contemplates the deep sense of loss that accompanies her daughter's growth. “The weight of her body when I lift her takes me by surprise, its unfamiliarity a reiteration of the distance between us,” Greengrass’ narrator muses. “She used to clamber over me, her legs around my waist, her arms around my neck, as though I were furniture or an extension of herself, unthought-of or intimately known. Now she stands apart and I must reach for her, on each occasion a little further until it seems her progress towards adulthood is a kind of disappearing and that I know her less and less the more she becomes herself.” Juxtaposed against the woman’s meditation on motherhood is her loss of her own mother, some years before, when the narrator was 21 and “at that turning spot between adolescence and adulthood,” a death she continues to mourn and mull as the “defining event in [her] life,” fracturing it in two. She reflects, too, on her maternal grandmother, a psychoanalyst with whom she spent her childhood summers, absorbing her disciplined pursuit of self-knowledge. Interspersed between the narrator’s personal reflections are the stories of scientists who quite literally exposed mysteries that lay within human beings: the man who discovered the X-ray; the surgical team whose work, in the mid-18th century, shed new light on the anatomy of the pregnant female body; Sigmund Freud, the father of psychoanalysis, and his daughter, Anna. Unflinchingly focused on life and death, love and loss, this book is not light reading. And while it has been labeled a novel, it is less a story—with a single dramatic arc and resolution—than it is a densely packed collection of clearly articulated insights on the struggle to bridge the gaps between ourselves and those to whom we yearn to be close, our efforts to define and take full measure of ourselves. It is novel as excavation.
Greengrass digs deep below the surface to explore the human condition and presents the reader with unearthed truths to ponder and pocket.Pub Date: Aug. 21, 2018
ISBN: 978-0-525-57460-6
Page Count: 208
Publisher: Hogarth
Review Posted Online: May 28, 2018
Kirkus Reviews Issue: June 15, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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