by Jeudi Shimkus ‧ RELEASE DATE: Jan. 10, 2012
Stylish, satisfying sci-fi.
In Shimkus’ literary sci-fi debut, humans are transported to an alternate galaxy as they grapple with the survival of their species.
Around the turn of first millennium C.E., a group of “pink skinned” earthlings were abducted and transported to a planet across the galaxy by an alien race that communicates and shares technology with humans once a century. On Nettara, the human population is diminutive; sea monsters populate massive oceans and winters are long and fierce. It’s a world without earthly divisions of state, race or religion, ruled by an oligarchy of “Minds”—individuals with telekinetic, telepathic and other psychic abilities. Over two decades, the novel follows Michael Rossignol, Bran Leveq—Michael’s oldest friend and lover—and a collection of family and friends as they navigate basic human challenges as well as problems specific to their new world. Many Nettarans are born hermaphroditic and sterile; as a result, their population is dwindling, and conflicts flare with an isolated sect opposed to the rule of the Minds. Shimkus examines what society would look like if it developed in a different environment. Her peculiar answer: It would have contemporary scientific cosmology, a Victorian order of precedence and female disenfranchisement, ancient Greek Epicureanism, and an acceptance of homosexuality and polyamory. The novel debates technological advancement, space travel, sexuality and social stratification, proposing unique analysis along the way: “What looks out from within each of us is the universe itself changing from one consciousness to another.” Less effective are musings on intrinsic human violence, an uncomfortable affirmation of eugenics and the dichotomous, repeatedly reinforced idea that males are sexually fluid while females remain flatly heterosexual. Stylistically, the writing in the opening pages in particular is dense and difficult to parse. The book’s second half abruptly shifts focus, and several relationships feel awkwardly forced. Ultimately, however, the volume offers a successful twist on futurism and alien worlds.
Stylish, satisfying sci-fi.Pub Date: Jan. 10, 2012
ISBN: N/A
Page Count: 352
Publisher: Draco
Review Posted Online: April 26, 2012
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
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