A story with enough manic energy to be worthy of a nuclear explosion and enough to render moot any structural weaknesses in...

THE WAVE

In Sandom’s doomsday thriller, a cryptanalyst and an oceanographer combine forces in an attempt to thwart a terrorist plan to inundate the eastern seaboard of the United States.

“What you need is something to make the Americans veer away from peace. Something abominable,” says jihadist El Aqrab, who has something abominable in mind: a mega-tsunami sweeping west across the Atlantic, generated by the aftereffects of his very own nuclear detonation. El Aqrab is a mean and devious dude; though he “destroys with an aesthetic sensibility,” as a Mossad agent notes, he is a pure force of darkness. Just so, he is in keeping with most of Sandom’s other characters: very bad, like El Aqrab, or very good, like code-breaker Decker (“the gentle features of a poet”), or good and gorgeous, like grad-student Swenson (“To be intelligent and to look like this? It was a fucking outrage.”). His characterization drifts into caricature, as stark and unambiguous as advertising copy. Sandom’s strength lies in the verve of his story, with writing that has both muscle, in its pacing and violence, and a measure of brains as it goes about knitting Islamic calligraphy into the action, as well as making skirmishes into cryptography, vulcan stimulation and the higher physics of radiation and isotope decay without force-feeding the dense material to the reader. Instances of sloppiness–actually, so sloppy they seem to have a hidden agenda: “Yung” for Jung, “Younkers” for Yonkers, “College Way” for Columbia University’s College Walk–are simply steamrolled by the tale’s gathering momentum. After a rather stately start, punctuated by little flurries of menace and barbarism from the stock bad guys, and a critical massing of feints and distractions, the story races from improbable to crazywild, all in good fun, with Sandom always one step ahead–and who cares if you can’t tell a “temperature-compensated quartz oscillator pressure transducer” from a toaster oven?

A story with enough manic energy to be worthy of a nuclear explosion and enough to render moot any structural weaknesses in its architecture.

Pub Date: Oct. 15, 2007

ISBN: 978-1-4303-2714-1

Page Count: 320

Publisher: N/A

Review Posted Online: April 4, 2011

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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