by J.G. Sandom ‧ RELEASE DATE: Oct. 15, 2007
A story with enough manic energy to be worthy of a nuclear explosion and enough to render moot any structural weaknesses in...
In Sandom’s doomsday thriller, a cryptanalyst and an oceanographer combine forces in an attempt to thwart a terrorist plan to inundate the eastern seaboard of the United States.
“What you need is something to make the Americans veer away from peace. Something abominable,” says jihadist El Aqrab, who has something abominable in mind: a mega-tsunami sweeping west across the Atlantic, generated by the aftereffects of his very own nuclear detonation. El Aqrab is a mean and devious dude; though he “destroys with an aesthetic sensibility,” as a Mossad agent notes, he is a pure force of darkness. Just so, he is in keeping with most of Sandom’s other characters: very bad, like El Aqrab, or very good, like code-breaker Decker (“the gentle features of a poet”), or good and gorgeous, like grad-student Swenson (“To be intelligent and to look like this? It was a fucking outrage.”). His characterization drifts into caricature, as stark and unambiguous as advertising copy. Sandom’s strength lies in the verve of his story, with writing that has both muscle, in its pacing and violence, and a measure of brains as it goes about knitting Islamic calligraphy into the action, as well as making skirmishes into cryptography, vulcan stimulation and the higher physics of radiation and isotope decay without force-feeding the dense material to the reader. Instances of sloppiness–actually, so sloppy they seem to have a hidden agenda: “Yung” for Jung, “Younkers” for Yonkers, “College Way” for Columbia University’s College Walk–are simply steamrolled by the tale’s gathering momentum. After a rather stately start, punctuated by little flurries of menace and barbarism from the stock bad guys, and a critical massing of feints and distractions, the story races from improbable to crazywild, all in good fun, with Sandom always one step ahead–and who cares if you can’t tell a “temperature-compensated quartz oscillator pressure transducer” from a toaster oven?
A story with enough manic energy to be worthy of a nuclear explosion and enough to render moot any structural weaknesses in its architecture.Pub Date: Oct. 15, 2007
ISBN: 978-1-4303-2714-1
Page Count: 320
Publisher: N/A
Review Posted Online: April 4, 2011
Review Program: Kirkus Indie
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by J.G. Sandom
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by J.G. Sandom
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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