A memorable voyage through a brutal human society, bizarre alien environments, and elastic realities.
In Ramsay’s debut SF novel, explorers venture to distant planets to exploit life-forms who may have a few tricks of their own.
Near the end of the 21st century, the invention of “Drag Engine” spaceship propulsion (which is effectively teleportation) grants humanity access to countless worlds, but it also reveals hidden “glitches” in the universe—leading to the disturbing conclusion that reality is a vast software simulation engineered by forces unknown. Despite this existential blow, mankind plods on, following base instincts of greed, power, lust, and self-gratification. Liquid, shape-changing artificial intelligence machines called “ancillaries” are used as servants, sexual partners, pets, and even repositories of human memories. Everyone who could afford it has already fled Earth for other planets while the moon is now a huge library for universities devoted to new sciences. Mercury is home to greedy “clans” eager to exploit alien invertebrates: “We learned the entire universe was actually overflowing with life—arthropods, arachnids, cephalopods, crustaceans, cnidaria and insects in a trillion incredible varieties.” The curious absence of vertebrates leaves humanity as the cosmos’s apex predator. In this milieu, one-time refugee Isaiah Erickson, a Columbia University anthropologist who’s also a prosperous, high-tech arms dealer, ventures to the distant planet of Conrad in search of valuable, hallucinogenic alien wasp venom, to which he’s addicted. Meanwhile, Chloe Keating, an idealistic grad student hoping to explore and investigate endangered species, gets tricked into following a previous, doomed expedition to the muddy planet Hobbes to harvest enormous centipedes. Her mission and Isaiah’s fatefully intersect.
Ramsay crafts brisk, edgy prose that splits storytelling chores across three first-person narrators: Isaiah, Chloe, and a somewhat anguished ancillary who has the memories of an adventurer who perished while on insect safari. Readers may be able to detect influences from Pokémon cartoons as well as Frank Herbert’s classic novel Dune, although other worlds described in Herbert’s fiction, such as the lethal Pandora in The Jesus Incident(1979), might make for more apt comparisons. Overall, Ramsay offers a work that’s a feat of considerable imagination and attitude—a stimulating tale of interplanetary intrigue and monsters, human and otherwise. Some genre connoisseurs may say that the future humanity he invokes—with its betrayals, obsessions, and sham replicas of animals, people, perhaps even the material world itself, seems like something out of Philip K. Dick’s realm of paranoiac dystopia. A semiderelict New York City that’s down to its last 50,000 people, for instance, would seem right at home in the film Blade Runner. Readers will want to know more about this strange future in which the sexes seem strongly segregated, suggesting that ancillaries have replaced domestic partners everywhere. At the same time, they’ll quietly dread whatever answers Ramsay conjures, and that’s quite an accomplishment, in accord with the credo of one of the duplicitous characters: “Space is dark and full of wonders. Wonders and horrors.” The author includes a “Bestiary” of creatures referenced in the text, illustrated by Sonntagbauer.
A memorable voyage through a brutal human society, bizarre alien environments, and elastic realities.Pub Date: Sept. 18, 2020
ISBN: 979-8-69-375726-4
Page Count: 222
Publisher: Don’t Give Up the Ship Press LLC
Review Posted Online: Nov. 30, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Review Program: Kirkus Indie
PERSPECTIVES
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PERSPECTIVES
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A skillfully rendered, thoughtful offshoot of the original story.
An isolated, sunless planet faces challenges in another adjunct to the Imperial Radch trilogy.
Readers of those books will remember that the battle among various factions of Radchaai ruler Anaander Mianaai destroyed several gates that made it possible to travel across vast distances in space. This novel explores the ramifications of that action on the remote and frozen planet of Aaa, which still chafes under the Radchaai occupiers who annexed it 30 years ago. Aaa’s precarious food supply chain is disrupted when information and ships stop showing up. Key imports cease to be available and local food sources begin to run out in an atmosphere of religious and social unrest heightened by a wealthy man’s desire to become a saint. Many people consider Serque Tais unworthy of this ascension, which involves several weeks of fasting and drug-induced contemplation and ends with a fatal poison that permanently preserves the body as a sacred relic—and as a focus for fresh offerings to the temple. Tais’ decision to leave his property and business to his grandchild Elerit makes his feckless son rather unhappy. Meanwhile, Speaking Savant Keemat, the popular cleric whose vision endorsed Tais’ sainthood, clashes with the social-climbing hierarch of their order and begins to wonder if the vision was actually intended for Keemat themselves. Plus, a young man unwillingly sold into servitude on a distant planet instead finds himself pressed into service at home, attending the physically and emotionally injured cousin of the Radchaai governor. A nearly omniscient narrator from several centuries in the future explains how these storylines converge, but never explains the injured cousin’s backstory, which seems like it’s going to be important but never pans out. What the narrator does do is examine the complex, volatile enmeshment of religious and secular matters (something with obvious contemporary relevance), obligations between parents and children, whether a person can make their own destiny despite societal pressures, the impact of small choices in a wider world, and the ripples of larger choices in an even wider galaxy.
A skillfully rendered, thoughtful offshoot of the original story.Pub Date: May 12, 2026
ISBN: 9780316290357
Page Count: 432
Publisher: Orbit
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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