A scrupulously honest and consistently thoughtful love letter to “the most intense form of reading…there is.”
The acclaimed author and translator offers thoughts on the latter art and craft.
A Pulitzer Prize–winning author of fiction in English, Lahiri moved to Rome in 2012 to immerse herself in Italian. Since then, she has published both a memoir and fiction in Italian and translated several works from Italian to English. This volume collects several pieces written over the past seven years—her translators’ notes to the novels Ties (2017), Trick (2018), and Trust (2021) by Italian writer (and friend) Domenico Starnone; stand-alone essays; and lectures and addresses—as well as an original introduction and afterword. A few themes emerge: Lahiri frequently returns to Ovid and Metamorphoses, most notably in her lecture “In Praise of Echo” and her moving afterword, which recounts her process of translating Ovid as her mother declined and died; metaphors of immigration and migration—Lahiri is both the daughter of Bengali-speaking Indian immigrants and an immigrant herself, twice over—ground other musings. Possibly the most provocative piece is “Where I Find Myself”—on the process of translating her own novel Dove mi trovo, from the original Italian into English as Whereabouts (2021)—an essay that finds her first questioning the ethics of self-translation (probed with a surgical metaphor) and then impelled to make revisions for a second Italian edition. The weakest essay is “Traduzione (stra)ordinaria / (Extra)ordinary Translation,” an appreciation of Italian revolutionary and thinker Antonio Gramsci, whose Letters From Prison reveal a linguist as ferociously compelled to investigate the process of translation as Lahiri herself. Composed originally as remarks for a panel, it reads like an elegantly annotated list of bullet points that will have readers wishing Lahiri had revised it into a cohesive essay. Readers may also find themselves envious of the author’s students of translation at Princeton, but this sharp collection will have to do. Two essays originally composed in Italian are printed in the original in an appendix.
A scrupulously honest and consistently thoughtful love letter to “the most intense form of reading…there is.”Pub Date: May 17, 2022
ISBN: 978-0-691-23116-7
Page Count: 184
Publisher: Princeton Univ.
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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