A popular young writer tackles a host of cultural movements in her debut collection of essays.
In these nine stunning pieces, New Yorker staff writer Tolentino seamlessly melds together journalistic social criticism and revealing personal essays. To varying degrees of intimate context, she places herself within each narrative, reporting on broad social currents while revealing very specific encounters. Among the many topics the author explores: the expansive influence of the internet and social media; the increasing social pressure to optimize our interests and aspirations at all times (especially for women); the alarming proliferation and increased tolerance of scamming; societal, somewhat idealized traditions such as marriage and, more specifically, weddings. Tolentino recounts her experience with reality TV and reflects on her teenage identity when she appeared as a contestant in Girls v. Boys: Puerto Rico. “Reality TV had not yet created a whole new type of person,” she writes, “the camera-animated assemblage of silicone and pharmaceuticals; we hadn’t yet seen the way organic personalities could decay on unscripted television, their half-lives measured through sponsored laxative-tea Instagrams and paid appearances at third-tier regional clubs.” She also recalls favorite literary books from her past, assessing the heroines’ varying plights in guiding her current feminist leanings. While offering razor-sharp commentary on the underbelly of our culture, she can also appreciate its attraction. Furthermore, she acknowledges her particular conundrum, having established her niche as a writer by staying in tune with cultural trends: “I don’t know what to do with the fact…that my career is possible in large part because of the way the internet collapses identity, opinion, and action—and that I, as a writer whose work is mostly critical and often written in first person, have some inherent stake in justifying the dubious practice of spending all day trying to figure out what you think.” Tolentino offers a millennial perspective that is deeply grounded, intellectually transcending her relative youth. She brings fresh perspective to current movements in a manner similar to that of Joan Didion in the 1960s and ’70s.
Exhilarating, groundbreaking essays that should establish Tolentino as a key voice of her generation.