A gentle, poignant tale with nicely developed real and fictional characters.
Caugherty offers a Depression-era coming-of-age novel set amid the beauty of California’s Yosemite National Park.
It’s 1934, and 16-year-old Isabel Dickinson has just finished her second year of high school in San Francisco when a tragic accident takes the life of her young sister, Audrey. Life at home with her mother, in the city’s rough Tenderloin District, had already become unbearable; now, as she struggles with Audrey’s death, she asks her friend Claude DeVille to drive her to Yosemite, where her older brother, James, is working for the Civilian Conservation Corps. She flees one day before dawn, unaware that women aren’t allowed in the Cascades Camp: “She was doing it: leaving Mother, the flat, the San Francisco cold. At long last she was traveling to a beautiful, wondrous place.” After their arrival, Isabel passes out due to an excruciating migraine. She wakes the following morning in a tiny apartment above a post office that belongs to Enid Michael and her husband, Charles. Enid, a delightfully eccentric and bubbly older woman, is Yosemite’s first and, at the time, only female ranger-naturalist, while Charles is Yosemite’s assistant postmaster. At this point, Caugherty seamlessly blends fact and fiction; the Michaels are real-life historical figures, and Enid’s nemesis, Chief Naturalist Bert Harwell, did repeatedly attempt to have her removed from her position for being too unconventional. She’s the perfect mentor for Isabel, who convinces the couple to let her stay with them through the summer, earning her keep by helping Enid with her wildflower garden and typing articles the Michaels write for local publications. As Isabel gradually discovers peace, redemption, and a new life trajectory, readers are treated to a veritable encyclopedia of intriguing and informative details about the flora, fauna, and natural wonders of Yosemite. Caugherty’s love letter to the extraordinary park has a simple plot, but the breezy, conversational prose is engaging, capturing the despair of the Depression and the frustration of women struggling for equality. Isabel is a sturdy, compelling protagonist, but it’s quirky Enid who will linger in readers’ minds.
A gentle, poignant tale with nicely developed real and fictional characters.Pub Date: April 20, 2023
ISBN: 9781685131807
Page Count: 286
Publisher: Black Rose Writing
Review Posted Online: Jan. 26, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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