A bare-bones narrative of a brash girl growing up in Los Angeles in the turbulent 1960s, determined to overcome her father's painful neglect. Novelist Ciment (The Law of Falling Bodies, 1993) looks back on her adolescence without pity and without judgment. She recounts years spent breaking into cars and houses, shoplifting, forging, and cutting school in a dry, deadpan tone that suits L.A.'s desert atmosphere. She, her mother, and her three brothers eke out a precarious living when her mother forces her emotionally and financially stingy father to leave. This bad girl who can barely spell has only one real interest—art. Despite a 30-year age difference, she becomes infatuated with Arnold, her married art teacher. (Curiously, Ciment never comments on the possibility that she may be searching for a father figure.) Seventeen in 1970, and desperate to escape L.A., Ciment scrapes up money to move to New York City. After posing nude at a sleazy ``modeling agency,'' she is overwhelmed by loneliness that sends her reeling back home, where she and Arnold consummate their affair and start living together. She gets into art school on the strength of her portfolio and a friend's willingness to take the SAT for her. Flash forward to 1986: Ciment (now a writer) and Arnold are living in New York when she receives a letter from her father—his first overture in years. The two guardedly reconcile, and she visits him in the hospital. When he dies soon after, she seems to grieve, not for him, but for what might have been, had he been a better father. This flawed but compelling memoir lacks a deeper level of introspection and a fuller sense of the Ciment family, but the author is a triumphantly self-made woman and her book gives us the agony—and intermittent joy—of the process in tough, spare, convincing language. (Author tour)
Pub Date: July 1, 1996
ISBN: 0-517-70171-5
Page Count: 224
Publisher: Crown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1996
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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