A wildly entertaining and energetic period thriller.
An affair between coeds culminates in murder in Dearman’s Jazz Age melodrama.
In the early 1920s, Wilhelmina “Will” Reinhardt and Dorothy “Dolly” Raab are freshman roommates at Columbia University’s Barnard College for women, both daughters of wealthy New York Jewish families. They’re temperamental opposites who attract; Will is a bookish misfit who speaks 11 languages and is an expert ornithologist, and Dolly’s a flapper who flirts up a storm. Will, a lesbian, likes traditionally male clothes and is getting over a lifetime of shyness, while Dolly revels in the attentions of either sex and teasingly receives Will’s adoration. Their relationship deepens during giddy outings to Harlem speak-easies and intensifying make-out sessions, but it’s especially stoked by classroom discussions of the Nietzschean superman—or superwoman—whose superiority allows any crime in pursuit of a supposedly higher morality. This creed fires up Dolly’s sociopathic streak, and she ropes Will into a series of thrill-seeking transgressions, starting with arson and burglary. After the two are paired off with different roommates by Barnard officials, Dolly decides that they must defy the ultimate taboo by kidnapping and murdering a child. Dearman’s tale tweaks the real-life story of child-killers Leopold and Loeb into a love story of two women set in a richly atmospheric panorama of New York in the Roaring ’20s, awhirl in high society, hothouse dorms, and uptown gin mills. It’s also a crackerjack procedural, as Dolly and Will plot out a crime that’s almost perfect—except for a few slip-ups that put dogged detectives on their trail. At its center are indelible portraits of the doomed lovers: Will, who’s incurably awkward and ardently besotted, and Dolly, whose glittering, teasing surface belies a hollow core. Dearman perfectly renders the noir mood in evocative, punchy prose: Dolly, reacting to a pregnancy scare, “couldn’t imagine being strapped with a tot. It made her feel dead inside….Daddy had a few prize pistols in his office. She would sneak one out and practice firing it out in the woods, then once she had a feel for it she’d eat the barrel.”
A wildly entertaining and energetic period thriller.Pub Date: July 5, 2022
ISBN: 978-1-925965-96-4
Page Count: 280
Publisher: Vine Leaves Press
Review Posted Online: April 29, 2022
Kirkus Reviews Issue: July 1, 2022
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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