Historical fiction at its finest.
George’s historical novel charts the lives of two of literature’s most fiercely independent writers and the indelible impact they’ve left on generations of readers.
The narrative explores parallels between authors Mary Braddon and Virginia Woolf, two fascinating literary figures born decades apart (Braddon in 1835, Woolf in 1882)—both were iconoclasts who were simply unable to succumb to the stifling conventions of their day. Braddon, who produced more than 80 books in her lifetime, was often accused of simply cashing in on salaciousness and sensationalism. But Woolf, as the author depicts her, well understood Braddon’s appeal; she wrote of women who were complicated mixtures of sinner and saint. The novel is rooted in strong historical research, but George lets her imagination fill in the blanks, and what she has discovered in those spaces helps to illuminate the lives of not only Braddon and Woolf themselves but also those of the women reading their tales. George imagines Woolf pondering Braddon’s work this way: “Braddon wasn’t writing purely for money as my Bloomsbury group might infer. She was in it for the reveal. The reveal of the story and the reveal of the truth about women that many just didn’t know. The reality of women.” The author has a remarkable knack for portraying the cerebral act of writing in the most vivid and spirited ways possible: “Inspiration was not something that could just be grabbed a hold of and seized,” she writes, “it had to come as it always had, from memory, from the echo of something already inside me.” George takes as much joy in tweaking the uppity beaks of the patriarchy as Quentin Tarantino does in cinematically punching Nazis; both are engaging in revenge fantasy of the highest order. The message is clear: Down with the patriarchy—and up with the truth.
Historical fiction at its finest.Pub Date: May 25, 2025
ISBN: 9798998576317
Page Count: 326
Publisher: Heinze Quill Publishing
Review Posted Online: June 30, 2025
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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