A smart, pocket-sized delight that artfully engages the funny bone.
A New York City–based author, mother of three and cancer survivor delivers an outspoken mix of sass and sensibility.
Magazine feature writer and novelist Kargman (The Ex-Mrs. Hedgefund, 2009, etc.) truly believes that laughter is the best medicine and, at 36, is happy to share her self-deprecating brand of wisdom. She explains why baked goods, texting and the smell of gasoline are so personally enticing, as opposed to the repulsive qualities of vans, mimes (“I’m so talkative that the mute thing alone wigs me out”), Don Henley and the wacky au pairs entrusted to babysit during her childhood. Life has been adventuresome so far, Kargman admits, from her days as an outcast at a Connecticut boarding school to the irate, micromanaging boss at a pop-culture magazine who aimed a tape dispenser at her head. But her self-doubts pale in comparison to the confusion and humility experienced after being diagnosed with skin cancer at 35. There’s also tenderness in the unexpected blind date (arranged by her grandmother Ruth) with a “beyond-adorable, scruffy nugget” named Harry who would become her husband and the father of her children. Some laughs pop with snappy sarcasm while others veer into racy, stand-up comedienne material like sections on Jewish Passover Seders and a midlife crisis–inspired tattoo and handgun license. These over-the-top moments are leavened with more focused playfulness, as when the author writes of her solidarity with gay men, the agony of natural childbirth (“having a bowling ball cruise through a straw”), her disenchantment with office work or, after the birth of her first daughter, the co-mingling sessions with “a breed of hypercompetitive type-A mothers” known as “Momzillas.” Cute, rudimentary line drawings pepper a narrative that will incite nods of agreement as Kargman writes that “the ones who live the best obviously aren’t the ones with the most money or most successful careers; they’re the ones who laugh the most.”
A smart, pocket-sized delight that artfully engages the funny bone.Pub Date: Feb. 1, 2011
ISBN: 978-0-06-200719-3
Page Count: 192
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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