The author’s trademark gifts—vivid, economical characterizations, distinctive voices, fierce intelligence—are evident on...
Another fine collection from short-fiction master McCorkle (Creatures of Habit, 2001, etc.), in a very dark mood indeed.
The title story sets the tone, limning the constricted life of a woman who stays home with her dying mother while her selfish married sisters patronize her as they always have. Debby was the unusual one who “dated people of different colors” and wore white shoes after Labor Day; now she’s trapped by her own niceness and can only dream, “Pack a bag. Pull the plug. Take your turn.” Death is a frequent visitor here. The sexy, can’t-pin-him-down boyfriend in “Driving to the Moon” lost his parents in a plane crash at 17 and flits in and out of the narrator’s life after high school, phoning whenever there’s an air disaster. The living cling to the dead in “Another Dimension,” the saddest piece. After their mother dies, 11-year-old Jimmy and eight-year-old Ann sabotage their father’s happiness with a kind waitress; Jimmy can’t tolerate her low-class ways, and Ann goes along, even though she’s drawn to the woman’s warmth. In the framing narrative, we see the adult siblings unable to sustain loving relationships, while the spurned waitress is a contented grandmother. Only the ultrasarcastic “PS,” a woman’s post-divorce letter to the marriage counselor who didn’t help, provides a welcome dose of McCorkle’s tart humor, and it’s extra tart here. (“I suspect being bored and having your mind wander during marriage counseling is not a good sign.”) “Magic Words” is downright scary, as a woman heading toward a first-time adulterous tryst is stymied by a girl fleeing her gang’s spookily angry “leader,” who is terrorizing their retired math teacher. The lone tender note is struck in “Intervention,” about a woman comforting her alcoholic husband because he forgave her an affair and her own drunkenness.
The author’s trademark gifts—vivid, economical characterizations, distinctive voices, fierce intelligence—are evident on every page. Now let’s hope she cheers up a little next time.Pub Date: Sept. 22, 2009
ISBN: 978-1-56512-632-9
Page Count: 272
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...
Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.
Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.Pub Date: Oct. 6, 2015
ISBN: 978-0-345-53348-7
Page Count: 368
Publisher: Bantam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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