McCorkle’s masterful microcosm invokes profound sadness, harsh insight and guffaws, often on the same page.
Assisted living residents and a hospice worker confront the inevitable with grit and humor.
A potentially clichéd unifying device, the claustrophobic world of Pine Haven Retirement Facility (located next to a cemetery no less), is here put to innovative use. Passing the narrative baton are Pine Haven’s residents and staff, friends and spouses, all confined, willingly or not, to McCorkle’s familiar turf, Fulton, N.C. Joanna, a hospice worker rescued from suicide by a dog, finds fulfillment easing the passage of the dying. Abby, who inhabits the house next to Pine Haven, is an outcast preteen with a social-climbing mother, Kendra, and a feckless, unreliable father, Ben (a magician and Joanna’s childhood friend). Abby, a daily visitor to Pine Haven, bereft after the disappearance of her dog, Dollbaby, finds a mentor in 85-year-old Sadie, a former third-grade teacher. Sadie discovers a kindred spirit in another teacher, Toby, Pine Haven’s youngest retiree, who bemoans the sorry state of children’s literature today. C.J., a pierced and tattooed single mom who does hair and nails at Pine Haven, has a much older married lover who is also the father of her son, Kurt. Rachel, a widowed Jewish lawyer from Boston, comes to Pine Haven to take up residence near her deceased paramour, Joe, who is buried, along with his wife, in the adjoining cemetery. Stanley, one of Fulton’s most prominent citizens, is sliding into dementia, cajoling, goading and insulting Pine Haven’s female majority, and reveling in bizarre obsessions: WWF stars and ’60s-era lounge lizard LPs. But could his apparent Alzheimer's be a bid for independence instead of dependency? Seemingly unrelated and insignificant clues sowed throughout raise other questions as these lives coalesce. For example, is Dollbaby really missing? Who’s leaving notes in a cemetery vase? Are both Kendra and C.J. placing their hopes in the same married man? Any residual predictability is dispelled by the jaw-dropping ending.
McCorkle’s masterful microcosm invokes profound sadness, harsh insight and guffaws, often on the same page.Pub Date: March 26, 2013
ISBN: 978-1-56512-255-0
Page Count: 352
Publisher: Algonquin
Review Posted Online: Dec. 16, 2012
Kirkus Reviews Issue: Jan. 1, 2013
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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