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HIEROGLYPHICS

Gathers layers like a snowball racing downhill before striking us in the heart with blunt, icy force.

McCorkle returns to Southern Pines, North Carolina, to explore themes of fate, mortality, and the human need for coping rituals.

Four characters take turns narrating what at first appears to be a rather aimless accretion of vignettes. On closer reading, however, the ingenious structure of this novel reveals itself. The present action begins on June 12, 2018, as Frank, a retired professor in his 80s, leaves what appears to be a suicide note and heads out in search of artifacts from his childhood. A single mother named Shelley is struggling to retain her court reporting job after the trial judge discovers that she's doing more than simply transcribing the trial of a prominent doctor accused of killing his young mistress. Shelley’s younger son, Harvey, self-conscious about his repaired cleft palate, is worrying his mother and teachers with his fixation on serial killers and ghosts. Frank and his wife, Lil, recently moved to North Carolina from Newton, Massachusetts. Their reminiscences, conveyed by his interior reflection and her notebook entries, reveal the tragic coincidence that united them: In the early 1940s, each lost a parent to a disaster when Lil’s mother died in a Boston nightclub fire and Frank’s father perished in a North Carolina train wreck while returning from Florida with his wife. Frank’s formerly idyllic childhood in Newton was doubly curtailed by his father’s death and his mother’s refusal to leave North Carolina. She married Preston, the tobacco farmer who rescued her from the wreck. The remainder of Frank’s childhood was spent in Preston’s house, near the tracks—the house that Shelley now occupies. Lil’s notes, spanning decades, reveal Frank’s infidelity and their eventual reconciliation. Death permeates this starkly honest tale, unleavened by McCorkle’s usual humor. Frank is still obsessed with the funerary customs and afterlife mythology he once studied. Harvey is transfixed by morbidity. Shelley harbors conflicting sentiments about justifiable homicide. Lil rails against Frank’s growing fatalism.

Gathers layers like a snowball racing downhill before striking us in the heart with blunt, icy force.

Pub Date: July 28, 2020

ISBN: 978-1-61620-972-8

Page Count: 320

Publisher: Algonquin

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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