``Once there was a little girl called Birdy who paid a shilling for a living boy,'' begins this enchanting embroidery on the lore of selkies and other fairy creatures, sequel to Birdy and the Ghosties (1989). Though Birdy doesn't ``hold with'' buying a child, she saves Matthew—stunted and hungry—from the ``orphan master''; then, when the parson offers to pay for him and train his lovely voice for the choir, she refuses the shilling and sends him for free—a good thing, too, since when the seal-queen steals Matthew, she must, by the laws of human and fairy trade, give him back on demand. Still, the queen won't part with him, so Birdie strikes a bargain: the parson will train one of her pups to sing as beautifully as Matthew. So he does, though what to feed ``Pagan,'' or where to keep him (the answer—the church font—causes ``a scandal''), is a problem. Finally, Pagan's music—``terrible...[but] as beautiful as great tempests on stormy waters, or the love of the living for the dead'' is joined with Matthew's celestial singing like ``the whole creation'' before Matthew is released and Pagan returns to the sea. Lucid, graceful, and miraculously spare (in a few lines, four characters are epitomized with more insight than some authors achieve in an entire novel), the lively narrative alternates entrancing descriptions with witty, energetic dialogue. Marks's deftly understated watercolors reflect the tale's humor, as well as the awe and wonder of the sea. Despite an unfortunate low-budget format: perfection—and a delight. (Fiction. 5+)
Pub Date: April 30, 1993
ISBN: 0-374-34869-3
Page Count: 46
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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