by Jill Rosenberg ‧ RELEASE DATE: May 5, 2026
Stories that find the right balance between veracity and strangeness.
Surreal images and emotional realities collide in this debut collection.
There’s a fine line between using the uncanny to accentuate real experiences and to distract from them. Thankfully, the stories in this book largely fall into the former category. Rosenberg’s characters are eminently recognizable—a parent whose child is away at camp for the first time, a woman concerned about medical findings—but the specifics of their circumstances take them to strange places. The protagonist of “The Twins” is the mother of two newborns until something bizarre happens: “The skinny one [eats] the fat one.” Things don’t get any less weird from there. The protagonist of “The Logic of Imaginary Friends” reunites with hers in adulthood after years of estrangement, and their bond takes on an unexpected intimacy. When the title character in “My Husband Story” enters a deep sleep, he slowly becomes more and more catlike. The images and conflicts in these stories are eye-catching on their own, but Rosenberg also introduces some subtler elements that give them greater resonance. It seems deliberate that the narrator of “The Logic of Imaginary Friends” tells us the name of her imaginary friend before revealing her own, for instance. Rosenberg also has a talent for punchy, revealing prose: “Once, the woman had a doctor who drew her blood himself. It was like having Ronald McDonald cook her fries.” While the imagery in these stories often heads into the fantastical, the anxieties and regrets the characters experience help keep them grounded. The result is a brief but potent collection that rarely goes where a reader might predict.
Stories that find the right balance between veracity and strangeness.Pub Date: May 5, 2026
ISBN: 9781625572172
Page Count: 148
Publisher: Black Lawrence Press
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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More About This Book
SEEN & HEARD
by Ben Lerner ‧ RELEASE DATE: April 7, 2026
A tart meditation on narrative and integrity.
A writer’s meeting with his mentor goes complicatedly awry.
Lerner’s slim fourth novel opens with an unnamed narrator arriving in Providence, Rhode Island, on a magazine assignment to interview Thomas, a professor who’s “among the world’s most renowned thinkers about art and technology.” Just before leaving his hotel, though, he accidentally knocks his phone in a sink, bricking it. His sole means of recording the interview gone, he triages, suggesting that he and Thomas conduct a pre-interview that evening and do a full-dress conversation the next day, after he can get the device fixed. The setup seems thin, but, this being a Lerner novel, rich ethical and philosophical questions fly off it: He’s concerned with the ways that an interview poisons authentic conversation, with our over-reliance on technology, and the moral dilemmas of talking to an unreliable source. (Thomas, 90, seems distracted and sometimes dotty.) Lerner’s true subject isn’t an interview so much as it is misapprehension and miscommunication; after the meeting with Thomas in the first section, the second and third parts are concerned with characters’ failures to understand something about each other, be it a romantic partner’s wishes or a child’s eating disorder. That last challenge makes for some of the most vivid, offbeat, and affecting writing Lerner has delivered—a surprise, given his fiction is typically marked by DeLillo-esque sangfroid. Another surprise is the relative embrace of a conventional story arc, as the narrator faces a reckoning about living in a “deepfake” world. This is slighter fare for Lerner but surprisingly potent given its length, interested in the ways that we manufacture our identities and how technology speeds the process along.
A tart meditation on narrative and integrity.Pub Date: April 7, 2026
ISBN: 9780374618599
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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