An assumption-exploding, smart account of creativity, work, and a decidedly unconventional life.
An adroit memoir from the creator of Transparent.
Soloway grew up with a father who “was either hiding out, depressed, or working,” along with a tough mother and a sister who came out long ago even as the author “stayed a straightbian and tilted toward artsiness and weed.” So far, an ordinary American family, until one day her father called to say that he was trans. “I had the wrong pronouns then and have only some of the right pronouns now but will use the wrong ones so you can see how wrong I had it,” writes the author, the ordinariness having given way to something new. Having written for the HBO series Six Feet Under and crafted the indie film Afternoon Delight, Soloway was well-placed to make the difficult sell for a series that leveraged some of her own experience and that of many other people—namely, Transparent, which proved a hit for Amazon as it was launching its own independent production business. There was a lot to learn, Soloway writes, and readers new to the complexities of nonbinary gender will find new things on every page thanks to the author’s sharp observations of the world, as when seeing a young man on a Vermont street wearing a sundress: “The same homeless kid, were they female but wearing a man’s scruffy pants and shirt, wouldn’t attract a second look. They might be exactly the same amount genderqueer, but the one who seemed to be male in women’s clothing was alarming in the way a woman in men’s clothing would not be.” There’s a lot to chew on in such things, and Soloway’s meditations become more complex, some of it in the shadow of the unfolding #MeToo movement. A helpful takeaway comes late in the book: “You’re not in trouble and you haven’t done anything wrong.”
An assumption-exploding, smart account of creativity, work, and a decidedly unconventional life.Pub Date: Oct. 16, 2018
ISBN: 978-1-101-90474-9
Page Count: 256
Publisher: Crown Archetype
Review Posted Online: Aug. 12, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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