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WATCHING WATER BIRDS

A cross between a naturalist's diary of backyard observations and a guide to identifying water birds, for newcomers or for pint-sized veterans of duck-feeding at the local pond. Arnosky (Rabbits & Raindrops, 1997, etc.) collects a random assortment of typical water fowl, based on personal sightings, and accompanied by sketches, notes, and full-color, actual-size portraits of a few favorites. Useful identification tips highlight dissimilarities between loons and grebes, geese and ducks, male and female of each species. One exception is the omission of visual references to egrets in their comparison with herons. Arnosky's distinctions include differences in flight characteristics, coloring and markings, and habitat selection, which sharpen the focus to an untrained eye. Birds are depicted in flight or underwater as well as coming in for a landing or gliding on water. A splash of facts inserted in side panels show such things as the mallard's habit of ``tipping up'' or where the female's wings are tucked when not in flight. In an easy conversational style, Arnosky explains just how a seagull spots the sparkling broadsides of fleeing fish underwater. Remarking on his own drawings, the author encourages readers to copy his illustrations in addition to sketching birds outdoors, taking this bird lesson a step beyond mere identification. (Picture book/nonfiction. 5-10)

Pub Date: Oct. 1, 1997

ISBN: 0-7922-7073-8

Page Count: 32

Publisher: National Geographic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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