A fun-loaded series.
Seventh installment—but first hardcover—in the Harry Dresden series: a mix of the supernatural and bounding adventure.
Chicago’s wizard-detective lives in a nonelectric basement apartment kept clean by faeries. Harry’s roommate is his super-handsome half-brother Thomas, a vampire who specializes in feeding on beautiful women but not turning them. Both Harry and Thomas live under the aegis of the White Court, of which Harry’s a high member. Black Court vampire Mavra, beheaded by Harry in a previous outing, returns here to blackmail him. She’s threatening Harry’s secret heartthrob, Karrin Murphy, director of the Chicago PD’s Special Investigations unit, which tracks down supernatural criminals. Mavra has photos of Karrin shotgunning a bad guy; he deserved it, but it’s still a felony, and she could get life—or worse, if Mavra decides to make nasty use of the lock of Karrin’s golden hair she’s acquired. To prevent that, she tells Harry over his empty but waiting grave in Graceland Cemetery that he’ll have to find and hand over The Word of Kemmler, a spell that apparently will give Mavra top powers. In Harry’s wizard lab in his cold sub-basement, a talking skull named Bob warns that Kemmler is a ferociously evil necromancer who spent more than a hundred years starting WWI and has been twice killed by the White Court. The Word of Kemmler is his fourth and possibly worst book of necromancy; it frightens even Bob. And now it’s Halloween, when the barrier between this and the spirit world is weakest. Adventures blossom like shotgun fire as Harry and medical examiner Waldo Butters are attacked in the morgue by a walking dead cop with his throat slit, flanked by zombies, and Harry faces all manner of cold, palely glowing folk walking about Chicago as a Tyrannosaurus tosses the undead over five-story buildings in a “carnivorous earthquake.”
A fun-loaded series.Pub Date: May 3, 2005
ISBN: 0-451-46027-8
Page Count: 400
Publisher: ROC/Penguin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2005
An almost-but-not-quite-great slavery novel.
The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.
In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.
An almost-but-not-quite-great slavery novel.Pub Date: Sept. 24, 2019
ISBN: 978-0-399-59059-7
Page Count: 432
Publisher: One World/Random House
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...
Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.
Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.
As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.Pub Date: Oct. 6, 2015
ISBN: 978-0-345-53348-7
Page Count: 368
Publisher: Bantam
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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