Swift, photographic prose defines the dimensions of hell—and of humanity. (8-page photo insert)
Two New York Times reporters take us inside the World Trade Center on 9/11 to give us a more capacious view of heroism.
Dwyer (Subway Lives, 1991, etc.), who won a Pulitzer as part of the group that covered the 1993 WTC bombing, teamed with special-projects editor Flynn to interview scores of survivors and their families; the pair also studied e- and voice-mails from those inside. From these sources they’ve pieced together a powerful account of the disaster that hesitates neither to confer laurels nor point fingers. Their technique is not novel: we move around the buildings, getting to know some folks employed there and learning names and histories of rescue workers. We know the buildings will fall; those inside do not. (Most people fleeing the north tower didn’t discover until they got outside that the south had fallen.) The authors lard their tale with surprising and alarming detail. The Marriott swimming pool caught fire. A man carried a disabled woman 54 floors down to the street. A fireman was killed by a falling human being. Molten aluminum from a melting airliner poured from an 80th-floor window. A dead cop’s gun went off in the searing heat. Their account of the rescue efforts is equally disturbing. The various agencies were unable to communicate with one another; firemen carrying 57 pounds of equipment struggled slowly up stairs choked by smoke, heat, and debris; 911 dispatchers gave mixed messages to those inside; about a hundred firemen died in the north tower because they had stopped to rest on floor 19 and didn’t hear the evacuation order. The authors conclude that most of the rescuing was done by civilians helping one another, not by policemen and firemen. Flynn and Dwyer do not seek to diminish what the safety officers did; instead, they celebrate the extraordinary capacities of ordinary folk.
Swift, photographic prose defines the dimensions of hell—and of humanity. (8-page photo insert)Pub Date: Jan. 12, 2005
ISBN: 0-8050-7682-4
Page Count: 320
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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