Brief bios best for bookish horror fans.
Famous horror writers step out from the shadows and into the moonlight.
After ruminating on why readers gravitate toward horror, Gigliotti introduces this collection’s 14 profiled authors by way of their fears. Stephen King used to be afraid of the dark, while Edgar Allan Poe and Shirley Jackson’s fears were of the internal sort. Whatever the source of their terrors, each writer draws “on a dark part of their hearts for inspiration.” The short biographies are arranged chronologically from Mary Shelley to Joe Hill. Entries detail personal lives, some facts about their works, and—for the dead—enduring legacies. Throughout, Gigliotti’s personal and engaging style adds a sense of suspense and intrigue to each author. Sleek design, haunted-forest motifs, and black-and-white portraits—framed with subtle nods to best-known works—further add to the ambience. While the creators’ fame is indisputable, the Whiteness and, to a lesser extent, maleness of the canon as Gigliotti construes it is glaringly evident. Moreover, the elision of Clive Barker’s sexuality—despite mentions of other authors’ love lives—is not only a missed opportunity, but erasure. Gigliotti’s contemporary lens helps contextualize the more historical entries, including mentions of any movie adaptations younger readers may be likely to know. Overall, the collection skews toward writing for adults (though a few notable exceptions write across age categories). The lack of backmatter, sources, or even a conclusion makes for an abrupt ending.
Brief bios best for bookish horror fans. (Collective biography. 10-16)Pub Date: Dec. 28, 2021
ISBN: 978-0-593-22278-2
Page Count: 144
Publisher: Penguin Workshop
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Hot on the heels of the well-received Leonardo da Vinci (2005) comes another agreeably chatty entry in the Giants of Science series. Here the pioneering physicist is revealed as undeniably brilliant, but also cantankerous, mean-spirited, paranoid and possibly depressive. Newton’s youth and annus mirabilis receive respectful treatment, the solitude enforced by family estrangement and then the plague seen as critical to the development of his thoughtful, methodical approach. His subsequent squabbles with the rest of the scientific community—he refrained from publishing one treatise until his rival was dead—further support the image of Newton as a scientific lone wolf. Krull’s colloquial treatment sketches Newton’s advances in clearly understandable terms without bogging the text down with detailed explanations. A final chapter on “His Impact” places him squarely in the pantheon of great thinkers, arguing that both his insistence on the scientific method and his theories of physics have informed all subsequent scientific thought. A bibliography, web site and index round out the volume; the lack of detail on the use of sources is regrettable in an otherwise solid offering for middle-grade students. (Biography. 10-14)
Pub Date: April 1, 2006
ISBN: 0-670-05921-8
Page Count: 128
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
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