Grimsley's backdrop's and quantum-magic ideas are deeply considered and impressively detailed, but the rest is obvious,...
Fantasy from the southern playwright and author of Comfort and Joy (1999), etc. Blue Queen Athryn Ardfalla, refusing to yield her throne to the Red King, Kirith Kirin, as tradition and law demand, has allied herself with an evil wizard, Drudaen Keerfax, and has grievously oppressed the people. Kirith Kirin, keeping to the forest of Arthen where the queen cannot go, plots to remedy the situation. His seer, Mordwen, in response to a prophecy, sends for young sheepherder Jessex to tend the lamps at the forest's shrine. But Jessex, the son and grandson of witches, has more talents than are apparent. Three weird sisters—the Fates, in effect—spirit him away to a magical lake, where they teach him magic in a sort of time warp. Then Jessex learns that the queen's witch, Julassa, has killed his family and captured his mother. Kirith Kirin, meanwhile, falls in love with Jessex. Constrained by the sisters never to use his magic, Jessex progresses rapidly, resisting Drudaen's blandishments—until Julassa threatens to annihilate Kirith Kirin and his armies in battle. Jessex kills Julassa, but the sisters agree that this too is part of his development, while they wait for a major-league wizard, Yron, to show up. Finally, the war of liberation gets going and Jessex realizes who he really is.
Grimsley's backdrop's and quantum-magic ideas are deeply considered and impressively detailed, but the rest is obvious, overly familiar, and weighs a ton.Pub Date: May 1, 2000
ISBN: 1-892065-16-9
Page Count: 456
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
Fascinating, and not for the faint of heart.
The final part of Islington’s prodigious, sprawling fantasy trilogy (An Echo of Things To Come, 2017, etc.), in which the religious-philosophical-magical-temporal war reaches its conclusion.
Again Islington supplies a synopsis and glossary; they help, but not much. The Venerate, immortal shape-shifting wizards, wield a higher-order magic called kan, which emanates from the Darklands. However, they now serve an evil god and perhaps always have. Four friends have resolved to defeat them. Caeden, a Venerate who once did terrible wrongs in their service, bears the knowledge that he will, or already has, kill his friend and ally Davian. Davian, whose ability to use kan exceeds even Caeden's, becomes trapped in the past, where he must learn how to build kan-powered machines in order to escape. Asha channels the enormous power of her Essence, magic deriving from her personal life force, to maintain the Boundary confining the horrors of the Darklands; the heavy price she pays is entombment within a virtual-reality bubble. Wirr, now Prince Torin the Northwarden, must rally his people to hold off armies of religious fanatics and Darklands monsters long enough for the others to succeed. So what do we have here, a thaumaturgical-alchemical extravaganza? A teenage superpower fantasy to rival Marvel comics? What with the unflagging pace, so many moving parts, and so much intricate, lavish, and sometimes intimidating detail, it's nigh impossible to ascertain whether it all adds up. What matters is the author's unshakable conviction that it does—a conviction that eventually we come to share, if only by osmosis. One intractable flaw: Though there are so many immortals running around, we don't feel the weight of all their years and deeds. It's more like time's collapsed into a dimensionless present.
Fascinating, and not for the faint of heart.Pub Date: Dec. 10, 2019
ISBN: 978-0-316-27418-0
Page Count: 864
Publisher: Orbit
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.
A war novel/religious allegory about cats, dogs and giant ants driven by a hive mind. Yes, really.
So, let’s imagine W. Bruce Cameron’s silly and maudlin A Dog’s Purpose recast as a violent and frightening post-apocalyptic global battle for the souls of Earth’s survivors, layered with a messiah prophecy that makes The Matrix look simplistic by comparison. If that’s a bit much, maybe just think Animal Farm re-imagined by Orson Scott Card. Either way, you end up with this devilishly entertaining debut about anthropomorphized animals caught in a conflict between an invading army of insects and the planet’s few remaining humans. The novel begins from the point of view of Sebastian, an aloof but observant house cat whose only true companion is a dog named Sheba. Through animal eyes, he describes Earth’s descent into chaos as giant ants—that’s Hymenoptera unus to you—break through the planet’s crust to wreak havoc on human civilization. At the heart of their plan is the decision to release a virus that gives all animals self-awareness, a bipedal structure and better-than-human intelligence. After the change, Sebastian recreates himself as the cat-warrior Mort(e), the hero of a breakaway army called The Red Sphinx. “Don’t you all know who this is?” says his superior to a new crop of recruits. “This is Mort(e). The hero of the Battle of the Alleghenies. The Mastermind of the Chesapeake Bridge Bombing. The crazy bastard who assassinated General Fitzpatrick in broad daylight. This choker was killing humans before some of you were born.” After a while the story gets kind of messy with a memetic virus called “EMSAH,” the aforementioned prophecy and the preordained battle to end all wars, but it’s still awfully good sci-fi that imagines a world where humans are no longer at the top of the food chain.
A wild riff on interspecies warfare sure to make pet owners think twice the next time their tabby cats dart by.Pub Date: Jan. 20, 2015
ISBN: 978-1-61695-427-7
Page Count: 368
Publisher: Soho
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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