A one-of-a-kind mystery that will appeal most to a niche audience of hosta aficionados.



In this mystery, a gardener unravels the story of what happened to his missing friend with some help from an unusual source.

Herman Funk—“Funky” to those who know him well—is an unassuming man with a passion for hosta plants. His life as a professional gardener is mostly one of quiet activity as he tends to his clients’ foliage and tries to warn people about the dangers of climate change. Then he starts hearing disembodied voices as he works in the garden. The messages seem to be a riddle he’s meant to solve, but who, or what, is sending them? And could they be somehow connected to the mysterious disappearance of Funky’s former client, Elisabeth Burgess, a decade prior? Meanwhile, a Mexican immigrant named Demetrio Perez gets ensnared in the mystery when he starts working for a sketchy character who’s also a hosta fanatic. Henry (Writing Workplace Cultures, 2000) subtitles his debut work of fiction “a magical realist gardening mystery,” and it’s an appropriate description for this quirky, creative novel. In it, hostas are revealed to be sentient beings with a complex, nuanced system of communication. The author writes numerous chapters from these plants’ perspectives, and they have personalities as varied as the humans who tend them. Along the way, Henry also weaves in plenty of details about the care and planting of hostas. (The author serves on the board of the American Hosta Society, and the book was first serialized in that society’s online journal.) His efforts will surely delight fellow hosta enthusiasts, and those who know little about the popular perennials will come away with a greater knowledge of them. There are plenty of hosta jokes along the way; when a character asks Funky what he thinks of Spilt Milk, a hosta variety, Funky replies, “No sense crying over it.” Unfortunately, the novel spends so much time delving into the details of rearing hostas that it takes a while for the core mystery to get going. However, patient readers will be rewarded with a unique whodunit that touches on important environmental issues.

A one-of-a-kind mystery that will appeal most to a niche audience of hosta aficionados.

Pub Date: May 1, 2017


Page Count: 566

Publisher: Cedarwood Press

Review Posted Online: May 25, 2018

Kirkus Reviews Issue: July 1, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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