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A BUS OF MY OWN

The co-anchor of The MacNeil-Lehrer Newshour and author of the One-Eyed Mack series looks back on his life so far, including his love of buses and his 1983 heart attack. This is the portrait of a hard-working, ethical, innocent, ambitious man who seems to have become one of America's preeminent journalists by dint of sheer earnestness. The book begins and ends with buses. Lehrer's father ran a Kansas mom-and-pop bus line that failed—and so Lehrer conceived a lifelong passion for bus memorabilia in all forms, and for buses like the Flxible Clipper, the Aerocoach, and the ACF-Brill—exotic mechanical beasts that plied the midwestern bus routes of the author's youth. He is deft with the small moments and habits of life: He chides a Marine drill instructor for mispronouncing his name; asks a Secret Service agent if they're going to put the bubble-top on Kennedy's limousine in Dallas; eats pastrami sandwiches with mayo; and gets a one-sentence lesson on interviewing politicians from Nelson Rockefeller: "Look, fella, if people like you could get me to say things I didn't want to say, I wouldn't be here." For Newshour fans who always suspected that MacNeil and Lehrer dress that way on purpose, there's an explication of the "skivvy shirt rule": "Nothing should be noticed or absorbed except the information....There is no such thing as a pretty slide, a zippy piece of music, a trendy shirt, a dynamic set, a tough question, or anything else, if it deflects even a blink of attention from the information." Lehrer, we learn, was turned on to journalism by a Runyonesque Texas newsman named "Sticks" Strahala, and he himself seems to have kept a boyish, wide-eyed cub-reporter enthusiasm intact in the corridors of power. Sometimes hokey, but down to earth, genuinely affecting, and immensely likable.

Pub Date: Sept. 16, 1992

ISBN: 1930709129

Page Count: 256

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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