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SUPER

A pipe dream of a world in which mere mortals can’t imagine any higher honor than dying aboard the Super Chief.

Everyone’s dying to take the Super Chief in TV newsman Lehrer’s 20th novel, which, like his 19th (Oh, Johnny, 2009), is a valentine to the days when life and death seemed simpler, even if the people who lived and died weren’t.

Most Hollywood stars have long since abandoned the railroads by April 1956. But Clark Gable, who hasn’t flown on a civilian aircraft since his wife, Carole Lombard, was killed in a plane crash in 1941, still takes the Super Chief from Chicago to Los Angeles. The King’s routine is so pat that porters who know him can schedule his dinner, his drinks and his assignations with star-struck fans with barely a syllable from him. Gable isn’t the only celebrity on the Super Chief; ex-President Harry S. Truman will board in Kansas City, setting up a memorable non-conversation between the two aging lions. But the real drama revolves around three less distinguished citizens. Hollywood producer Darwin Rinehart is already a has-been at 40. Wheelchair-bound cancer patient Otto Wheeler, a longtime regular aboard the Super Chief, is taking his very last trip to his home town of Bethel, Kan. And Dale L. Lawrence has negotiated privately with a redcap for a sleeper off the company books and a chance to speak to the former President on a matter of life or death. Before the train pulls into Los Angeles, two passengers will be dead by violence, another will be suspected as an imposter and passenger agent Charlie Sanders will find himself cast in the role of accidental detective. This isn’t Murder on the Orient Express, or North by Northwest, which gets prophetically brainstormed in the course of the journey; the plot complications flicker away with the miles. Instead it’s a humane, often gently humorous evocation of an era Lehrer obviously loves and mourns.

A pipe dream of a world in which mere mortals can’t imagine any higher honor than dying aboard the Super Chief.

Pub Date: April 27, 2010

ISBN: 978-1-4000-6763-3

Page Count: 224

Publisher: Random House

Review Posted Online: March 1, 2011

Kirkus Reviews Issue: Jan. 1, 2010

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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