Who shot JFK? In longtime PBS stalwart Lehrer’s novel, the question better becomes: How shot JFK?
In a blend of police procedural and peek behind the curtains at how journalists do their jobs, Lehrer (Super, 2010, etc.) posits an uncomfortable scenario, at least for a beat reporter: A story returns, years after the fact, with a new and unforeseen wrinkle. In this instance, Dallas Tribune writer Jack Gilmore is going out to lunch—well, speaking before a lunch, anyway—on a strange twist to the assassination tale, relating how a request came from the copy desk for him to find out, before JFK’s motorcade set out for Dealey Plaza, whether the top on his limousine would be up or down. Hmmm. It had been raining before, but now on this beautiful warm day—well, Gilmore asks, the agent in charge orders the top taken off, and the rest is history. Or is it? That agent has been a seething erosive mess of guilt ever since, and the Secret Service has done what it can to hide him in the hinterlands. His protofeminist daughter—for this is 1968—is meanwhile looking to answer the burning question of whether “the bubble top, if it had been there, might have prevented the assassination—or at least the death—of Kennedy.” Well, weird things happen when a reporter’s obsession matches a source’s, and Lehrer expertly sails that particular sea. The writing sometimes seems a little tossed-off (“ ‘Food of the World’...seemed to mean Greek and Italian versions of scrambled eggs and toast”), but the way that Lehrer covers the ground (always skirting that “who” question) is fresh and convincing—and a couple of payoffs, including the longish denouement, come as a nice surprise.
A footnote to the vast library surrounding the JFK assassination, but a good read nonetheless.Pub Date: Oct. 8, 2013
ISBN: 978-1-4000-6916-3
Page Count: 208
Publisher: Random House
Review Posted Online: Aug. 6, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Categories: HISTORICAL FICTION
Did you like this book?
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 20, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Categories: HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
Did you like this book?
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
18
GET IT
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
Did you like this book?
PROFILES
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
