Wry commentary and schoolboy machinations lighten but don’t mask the sour tone, and Sister Angelica’s free pass will likely...

REVENGE OF THE GREEN BANANA

An underachieving sixth-grader plots to “murderlate” a bullying nun in this darkly comic semiautobiographical novel.

The author claims it all happened, and he hasn’t changed any of the names either. Joining his 61 overwhelmingly white New Jersey classmates on the first day, Jim is singled out by Sister Angelica Rose, who treats his academic efforts with scorn and his every action with suspicion. Fueled also by the way she repeatedly puts his friend Philip, who stutters, on the spot in class, Jim’s anger swells to rage, and with a group of classmates he concocts an elaborate get-back prank. Meanwhile, the 1958-59 school year carries on through memories of school food (“The first item offered was always the brown soup”), a memorable visit from a black Sister of Charity who works with lepers in Hawaii, and a stage production in which Jim wears a banana suit and leads a dancing corps of similarly clad second-graders. Though the author puts his putative self in a good light at the end with a last-moment change of heart about the prank and, thanks to determined volunteer tutelage from a female classmate, improved study habits, sudden belated efforts to give Sister Angelica a few redeeming qualities come off as perfunctory at best.

Wry commentary and schoolboy machinations lighten but don’t mask the sour tone, and Sister Angelica’s free pass will likely leave readers feeling cheated. (Historical fiction. 11-13)

Pub Date: Jan. 3, 2017

ISBN: 978-0-544-78677-6

Page Count: 224

Publisher: Clarion

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

THE GOOD THIEVES

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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