A thoughtfully conceived and boldly described drug tale.
A rebellious dropout rejects normalcy and finds himself immersed in the 1970s drug scene in this novel.
Owens’ story opens with a distraught ninth grader barreling through the corridors of his high school convinced that “Christian Cannibals” are intent on devouring him. The boy is Wilbert Stokes, who his teachers discover is in the midst of a drug overdose. After undergoing court-ordered substance abuse therapy, Wilbert, now 18, finds himself sitting before a psychiatrist explaining that he has no intention of “running with the straight crowd” and that he strives for absolute freedom. Wilbert sets up as a dealer selling PCP out of a filthy, broken-down cottage in the dying railroad town of Hampton, Indiana. The novel is a mournful waltz through the seamy underbelly of ’70s America—one of skid rows and strip clubs. Wilbert’s position is a precarious one as he observes his own deterioration, succinctly described as the “haunted merry-go-round” of addiction. Surrounded by decay, will Wilbert persevere on the deadly path he believes leads to freedom, or will salvation mean turning “straight”? This is an unflinchingly grimy book, containing unpleasant imagery that readers will struggle to forget, from the “weathered whore” seen “smoking a cigarette from a hole in her cancerous neck” to the “scattered trio of feminine napkins whose ‘period’ of usefulness had long expired.” Owens provides an energetic taxonomy of demimonde habitués: “Sexed-up sugar-daddy-seeking hopefuls, scraggly sots, horny hags, and a variety of other swizzled low-brows.” Wild bouts of vivid descriptions are countered with a contrastingly sober narrative that pinpoints the social, economic, and historical forces that shape the characters’ lives: “The former participated in white flight; the latter could not afford the jump to the burgeoning southern suburbs, where white utopia was experiencing a renaissance of sorts.” The result is a multifaceted view of life “on the skids” given a further psychological dimension by the insertion of extracts from Wilbert’s journal: “I kill the capitalist pigs in my mind every day, until the rest of my poor friends rise up to join me, and we slay the beast in flesh.” The author’s prose may turn some readers’ stomachs, but this is a compellingly written, richly textured story that penetrates the heart of ’70s drug culture.
A thoughtfully conceived and boldly described drug tale.Pub Date: May 14, 2020
ISBN: 978-0-578-67508-4
Page Count: 570
Publisher: Self
Review Posted Online: March 17, 2021
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
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