All the narrative propulsion of escapist fiction without the escape.
Paced like a prophetic thriller, this novel suggests that "pandemic" is a continuing series.
Shepard has frequently employed research as a foundation for his literary creations, but never before in such pulse-racing fashion. He's set this narrative in the near future, when the threat of Covid-19 has passed but provides a cautionary lesson. And what have we learned from it? Not enough, apparently, as an outbreak within an extremely isolated settlement of Greenland begins its viral spread around the globe. Readers will find themselves in territory that feels eerily familiar—panic, politics, uncertainty, fear, a resistance to quarantine, an overload of media noise—as Shepard's command of tone never lets the tension ease. Eleven-year-old Aleq somehow survives the initial outbreak, which takes the lives of everyone close to him, and he may provide the key to some resolution if anyone can get him to talk. The novel follows the boy and the pandemic from Greenland to a laboratory facility in Montana as, in little more than a month, the virus or whatever it is, spread by touching, traveling, breathing, has infected some 14 million around the world. Jeannine Dziri and Danice Torrone, a pair of young researchers from the Centers for Disease Control and Prevention who have dubbed themselves the “Junior Certain Death Squad,” find themselves on the front lines as they attempt to balance personal relationships (which occasionally read like plot contrivances) with all-consuming professional responsibilities. Meanwhile, the pandemic proceeds relentlessly. “APOCALYPSE II?” screams a Fox graphic amid “the social media cacophony,” as mass hysteria shows how human nature can take a horrible situation and make it so much worse. And though the novel builds to a sort of redemption, it suggests that there will be no resolution to the current pandemic beyond nervous anticipation toward the ones to come. Channeling Pasteur, Shepard promises—or threatens—“It will always be the microbes that have the last word.”
All the narrative propulsion of escapist fiction without the escape.Pub Date: May 18, 2021
ISBN: 978-0-525-65545-9
Page Count: 256
Publisher: Knopf
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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