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A STONE OF HOPE

A MEMOIR

An affecting and earnest testimonial to the power of a humane criminal system built on rehabilitation more than punishment.

A young African-American man’s memoir of a life of crime redirected.

Born poor in Haiti, St. Germain came to America with his family as a youth and, in the streets of Brooklyn, lost himself in the illegal economy that thrived on the streets. He fought and stole, “trying to process this new world and answer my own questions, all the while wearing a tight mask that showed none of this.” As a self-styled “street pharmacist,” he earned the nickname Buffett, because, as a helpful older friend explained, “Warren Buffett is gangsta,” a model money machine among the Scarface crowd. Rather than becoming filthy rich, as that name portended, St. Germain fell into the system, winding up in Spofford Juvenile Center in the Bronx, “a notorious intake place for troubled teens” whose alumni included Mike Tyson and rapper Fat Joe. But there, St. Germain was given an opportunity: rather than the normal machine of turning broken youth into broken men, he was placed in the Boys Town boot camp system, which teaches values of responsibility and respect. Said a staff member, “the purpose here is to retrain your behavior,” and retrain St. Germain’s behavior it did. “It went against everything I’d ever known,” he writes. At first, he went along with it to game the system and gain the merit points that earned privileges, but eventually he became a committed advocate of the system—and, moreover, a devotee of reading and education, guided by books of African-American history and in particular a memoir called Dreams of My Father, affording St. Germain “a kinship with this mixed-race senator with a foreign background, a funny name, and the gall to think he could change the world.”

An affecting and earnest testimonial to the power of a humane criminal system built on rehabilitation more than punishment.

Pub Date: July 4, 2017

ISBN: 978-0-06-245879-7

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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