A gutsy, fearless protagonist leads a novel that challenges the absurdity of segregationist laws.
A rebellious New Orleans lawyer in the 1950s works on behalf of a Black couple who want to adopt a biracial child in Martinez’s novel.
Against the sultry, jazzy backdrop of New Orleans, attorney Noel Corbin, also known as Crow, has struggled with sobriety and dedicated his career to helping those who get a raw deal in the city’s corrupt legal system. Crow has been a lawyer for the Cajun mafia, and local opinions of him are mixed. (A Tulane professor tells him, “I’ve heard you’re a free spirit representing various entertainers, gamblers, nonconformists, and the occasional civil rights case using dubious methods.”) A colleague approaches Crow with a perplexing case: An evidently biracial child named Dove is caught in an absurd legal limbo due to the south’s racist laws. Her mother was white, but died soon after childbirth, and Dove’s birth certificate lists the baby as white. A Black couple wishes to adopt Dove but cannot, as the law disallows interracial adoption. The state refuses to change the birth certificate until the presumably Black father comes forward. Crow is troubled by the story and, upon meeting the prospective parents, assures them he has the contacts within (and outside of) government to give them a fighting chance. So far, the state has refused to budge, but Crow pulls from every resource he can think of to find a way for this family to have the happiness they deserve. Martinez’s legal drama, based on a real case in Louisiana, has an imperfect but likable protagonist in Crow, whose Cajun roots and legal career make the story a lively love letter to the local culture and a damning indictment of the era’s racial policies. The author’s wry sensibility regarding the legal system’s corruption is amusing and illuminating, while the absurdity of Dove’s specific case is described in a matter-of-fact, common-sense way. The novel drags somewhat in the middle as the characters await the trial, but the unexpected conclusion feels authentic.
A gutsy, fearless protagonist leads a novel that challenges the absurdity of segregationist laws.Pub Date: May 15, 2024
ISBN: N/A
Page Count: 316
Publisher: N/A
Review Posted Online: April 30, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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