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TAMMY WYNETTE

TRAGIC COUNTRY QUEEN

Wynette’s tortured history is forcefully told, but her essence remains a mystery.

The gory details of the country vocalist’s life.

McDonough (Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film, 2005, etc.), who wrote the bestselling Neil Young biography Shakey (2002), takes on the big-voiced, troubled thrush who logged 20 No. 1 country hits between 1967 and 1976. Born Virginia Wynette Pugh (1942–1998) and raised humbly in rural Red Bay, Ala., she was a headstrong, willful girl who broke out of the honky-tonks and regional radio to notch her first big singles, including the controversial, politically divisive anthem “Stand By Your Man,” under the tutelage of Nashville producer Billy Sherrill. (Music City’s studio milieu and Sherrill’s key role in it are chronicled in a richly detailed early chapter.) Wynette lived through five harrowing marriages, tormented relationships with four children, a multitude of health problems, two debilitating decades of addiction to painkillers and a bizarre, unsolved (and possibly trumped-up) kidnapping. McDonough is clearly smitten with his talented subject—he rhapsodizes over her recordings and pens several cringe-inducing “Dear Tammy” letters—but Wynette remains something of a cipher; one never senses that much existed below the surface besides an abiding neediness. Two of her husbands emerge as the book’s most compelling figures. George Jones, the alcoholic, unpredictable singer who was Wynette’s musical role model and third spouse, is depicted as a deeply flawed yet loving professional and romantic partner. Producer-songwriter George Richey, her fifth husband and Wynette’s manager for 20 years, is painted as a greedy, controlling hillbilly Machiavelli who hastened Wynette’s premature demise in 1998 through a combination of overwork and (illegal) overmedication. McDonough interviewed all but a few of the principals in the story—including the normally reticent Jones—and he gets some wonderful material from peers like Dolly Parton and Loretta Lynn. However, readers may remain uncertain about what animated Wynette’s powerfully performed music.

Wynette’s tortured history is forcefully told, but her essence remains a mystery.

Pub Date: March 4, 2010

ISBN: 978-0-670-02153-6

Page Count: 432

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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YEAR OF YES

HOW TO DANCE IT OUT, STAND IN THE SUN AND BE YOUR OWN PERSON

Rhimes said “yes” to sharing her insights. Following her may not land you on the cover of a magazine, but you’ll be glad you...

The queen of Thursday night TV delivers a sincere and inspiring account of saying yes to life.

Rhimes, the brain behind hits like Grey’s Anatomy and Scandal, is an introvert. She describes herself as a young girl, playing alone in the pantry, making up soap-opera script stories to act out with the canned goods. Speaking in public terrified her; going to events exhausted her. She was always busy, and she didn’t have enough time for her daughters. One Thanksgiving changed it all: when her sister observed that she never said “yes” to anything, Rhimes took it as a challenge. She started, among other things, accepting invitations, facing unpleasant conversations, and playing with her children whenever they asked. The result was a year of challenges and self-discovery that led to a fundamental shift in how she lives her life. Rhimes tells us all about it in the speedy, smart style of her much-loved TV shows. She’s warm, eminently relatable, and funny. We get an idea of what it’s like to be a successful TV writer and producer, to be the ruler of Shondaland, but the focus is squarely on the lessons one can learn from saying yes rather than shying away. Saying no was easy, Rhimes writes. It was comfortable, “a way to disappear.” But after her year, no matter how tempting it is, “I can no longer allow myself to say no. No is no longer in my vocabulary.” The book is a fast read—readers could finish it in the time it takes to watch a full lineup of her Thursday night programing—but it’s not insubstantial. Like a cashmere shawl you pack just in case, Year of Yes is well worth the purse space, and it would make an equally great gift.

Rhimes said “yes” to sharing her insights. Following her may not land you on the cover of a magazine, but you’ll be glad you did. 

Pub Date: Nov. 11, 2015

ISBN: 978-1-4767-7709-2

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Oct. 31, 2015

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AN INVISIBLE THREAD

THE TRUE STORY OF AN 11-YEAR-OLD PANHANDLER, A BUSY SALES EXECUTIVE, AND AN UNLIKELY MEETING WITH DESTINY

A straightforward tale of kindness and paying it forward in 1980s New York.

When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.

 

Pub Date: Nov. 1, 2011

ISBN: 978-1-4516-4251-3

Page Count: 288

Publisher: Howard Books/Simon & Schuster

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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