SKELLY THE SKELETON GIRL

Skelly is a little skeleton girl who lives in a spooky house high on a hill. When she finds a mysterious bone, she sets out to return it to its owner. But who could it belong to? First, she checks with her ghoulish fish, but no luck. She asks her pet bat, and it’s not his either. An x-ray proves it isn’t hers, and it isn’t from the monster under the stairs. Perhaps it was spit out by the man-eating plants—but no. Skelly continues on her quest, asking some ghostly visitors, the spider who lives next door and her spooky dolls, but as the night passes, the bone is still unclaimed and unidentified. Then she stops for a snack and hears a noise outside her window. There in the topiary hedge is a winsome yet properly skeletal dog who is indeed the owner of the bone, and a new friend to boot. Reminiscent of the works of Tim Burton, this gothic treat is perfect for those who like to be scared—just a tiny bit. (Picture book. 4-6)

Pub Date: Aug. 7, 2007

ISBN: 978-1-4169-1192-0

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2007

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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ISH

A lovely tale about the trials of a budding artist brought to us by the author/illustrator of Dot (2003). Ramon creates drawings at a furious pace. Everywhere he goes, he draws. But there’s nothing like a derisive older brother to put the kibosh on a sensitive artist type. Suddenly, Ramon becomes self-critical. He cannot satisfy his own desire to get things “right” anymore, so he decides to put away his pencil for good. Luckily another family member, his sister, has secretly been collecting Ramon’s art for her own private gallery. She convinces him that a successful drawing need not be a perfect reflection of reality. It’s okay if a house looks house-ish or a fish looks fish-ish. It is just the liberating sentiment Ramon needs to reignite his creativity. Told in spare prose with Reynolds’s signature line drawings in watercolor, ink, and tea, Ish will encourage other little artists. (Picture book. 4-6)

Pub Date: Sept. 1, 2004

ISBN: 0-7636-2344-X

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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