A potentially interesting story sabotaged by lack of discipline.
Mexican-American brothers struggle against prejudice and adversity in this first novel from poet/memoirist Baca (The Importance of a Piece of Paper, 2004, etc.).
After their father Casimiro is felled by stroke in 2003, Lorenzo takes over the land Casimiro worked for its owner, Miller. Younger brother Vito, forced to leave the farm after beating up Miller’s son for disparaging a Mexican woman, dons boxing gloves and becomes a championship fighter. Unbeknownst to Miller, Lorenzo grows more than chili peppers; his marijuana crop generates plenty of surplus cash, which he uses to improve conditions for the area’s immigrant field workers. He falls for Carmen, a graduate student writing her thesis on the migrants, but is caught between the way of life made possible by his illicit trade and Carmen’s insistence that they join with the workers to agitate for improved conditions. Meanwhile, Vito becomes a hero to the Chicano field hands by equating his fights with the struggle against Anglo injustice and oppression. The narrative skips back and forth in chronology, always circling around the murder of their mother Nopal when Lorenzo was five. We learn that 15-year-old Nopal fled Mexico for America in 1983, fought off a rapist, was rescued by Casimiro, had a singing career that led to her death; ethereal italicized passages suggest that her spirit still follows her sons. All lines eventually converge in a questionably executed and predictable dénouement that would work better with fuller character development. Baca’s impulse to poetic reverie sacrifices clarity and accessibility for surreal, excessive description. Conversely, lack of specificity keeps the material about the plight of immigrant workers at the level of vague archetypes. The betrayal of one brother by the other, the fight in which their bid for land ownership is at stake, as well as the unlikely discovery of their mother’s murderer are all rushed through in prose that never earns believability, empathy or a hold on the reader’s attention.
A potentially interesting story sabotaged by lack of discipline.Pub Date: Oct. 1, 2009
ISBN: 978-0-8021-1922-3
Page Count: 240
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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