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THE CAKE AND THE RAIN

A MEMOIR

An insider’s view of the star-maker machinery and a treat for Webb’s many fans.

All the sweet icing melts down, and some bitterness and tragedy lie exposed in the life of the hit-making songwriter.

Webb (b. 1946), famous for “MacArthur Park,” “Up, Up and Away,” “Wichita Lineman,” and many other 1960s- and ’70s-era pop classics, has a bit of a bone to pick. He wants readers to know, as if we don’t already, that his songs have been transformative; an 11-page double-column appendix listing artists who have recorded them is just one bit of testimonial. But more, he’s ticked at the “left-wing folkie exclusivity” that has relegated him, in the pantheon of songwriters, to the establishment-supporting, squaresville corner where has-beens like Marilyn McCoo and Glen Campbell live. Never mind that plenty of people worship both singers and that plenty of hipsters live and breathe by Webb. The chip on the shoulder never quite falls off, but thankfully, it gets less pronounced as the author presses on with this spry, mostly pleasing memoir that has more than its share of rough patches. For instance, he writes, when he came to Los Angeles from Oklahoma, he was a nice Christian boy who didn’t smoke or drink. At the height of his fame—and this book mostly dwells on the golden age of the late ’60s and early ’70s—he hoovered up a line of what was supposed to be good cocaine but turned out to be “a super dose of crude street level PCP, enough to kill an elephant.” Along the way, mostly with an affect of not quite believing his luck, Webb recounts brushes with fame and his many high points, from idol Paul McCartney commissioning a song from him to losing a few brain cells during John Lennon’s lost weekend—to say nothing of sessions with Richard Harris, prime interpreter of his greatest and perhaps strangest hit.

An insider’s view of the star-maker machinery and a treat for Webb’s many fans.

Pub Date: April 18, 2017

ISBN: 978-1-250-05841-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: March 1, 2017

Kirkus Reviews Issue: March 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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