An imaginative, vivid, and violent fantasy hampered by deficient editing.
In this debut YA novel, a teenager lands in a brutal world of magic, where he proves to be something more than human and the key to a sadistic leader’s dark plot.
Sixteen-year-old Hale has no idea why he and his older sister, Carly, have been kidnapped or why they are being subjected to systematic torture. After an escape attempt brings Hale both freedom and tragedy, he is drawn by an evil schemer into the magical, violent Land of the Griffins, where everything he thought he knew about himself and his world changes. Hale must learn not only how to survive (echoes of Lord of the Flies and The Hunger Games), but also just who and what he really is. (Ethnicities aren’t mentioned; characters’ skin colors are white, tan, olive, and blue; Hale is white.) This ambitious novel covers broad fantasy territory: magic objects open portals to different planes of existence; humans turn into griffins and werewolves; and there are manipulative telepaths, a soul-stealing witch, woodland nymphs, assorted other magic wielders, and a sad siren whose voice kills. Family relationships, both good and bad, thread throughout the book, as do plentiful scenes of violence: among them, teens engaged in death matches and a graphic description of an attempted rape. Hale’s inventive story is one of several separate narratives involving various sets of intriguing characters and plotlines that eventually interconnect, offering answers to motives and mysteries that initially seem obscure. (What or who compelled the kidnapper’s brutality? Why have Hale and other teenagers been plucked from the human world to manifest their inner griffins?) Unfortunately, the text has a first-draft feel, diluting Noble’s vibrant tale with many awkward phrasings (“His face had formed wrinkles in all places he expressed thought. His black eyes protruded determination and anxiety”; “All the while, the stranger’s back continued to face them without care”). The novel’s abrupt open ending suggests a sequel to come.
An imaginative, vivid, and violent fantasy hampered by deficient editing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Kurti Publishing
Review Posted Online: Aug. 26, 2019
Review Program: Kirkus Indie
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.
Powers’ (Orfeo, 2014, etc.) 12th novel is a masterpiece of operatic proportions, involving nine central characters and more than half a century of American life.
In this work, Powers takes on the subject of nature, or our relationship to nature, as filtered through the lens of environmental activism, although at its heart the book is after more existential concerns. As is the case with much of Powers’ fiction, it takes shape slowly—first in a pastiche of narratives establishing the characters (a psychologist, an undergraduate who died briefly but was revived, a paraplegic computer game designer, a homeless vet), and then in the kaleidoscopic ways these individuals come together and break apart. “We all travel the Milky Way together, trees and men,” Powers writes, quoting the naturalist John Muir. “In every walk with nature one receives far more than he seeks.” The idea is important because what Powers means to explore is a sense of how we become who we are, individually and collectively, and our responsibility to the planet and to ourselves. Nick, for instance, continues a project begun by his grandfather to take repeated photographs of a single chestnut tree, “one a month for seventy-six years.” Pat, a visionary botanist, discovers how trees communicate with one another only to be discredited and then, a generation later, reaffirmed. What links the characters is survival—the survival of both trees and human beings. The bulk of the action unfolds during the timber wars of the late 1990s, as the characters coalesce on the Pacific coast to save old-growth sequoia from logging concerns. For Powers, however, political or environmental activism becomes a filter through which to consider the connectedness of all things—not only the human lives he portrays in often painfully intricate dimensions, but also the biosphere, both virtual and natural. “The world starts here,” Powers insists. “This is the merest beginning. Life can do anything. You have no idea.”
A magnificent achievement: a novel that is, by turns, both optimistic and fatalistic, idealistic without being naïve.Pub Date: April 3, 2018
ISBN: 978-0-393-63552-2
Page Count: 512
Publisher: Norton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
SEEN & HEARD
Read this for insights about writing, about losing one’s mother, about dealing with a cranky sous-chef and a difficult...
A Boston-area waitress manages debt, grief, medical troubles, and romantic complications as she finishes her novel.
“There are so many things I can’t think about in order to write in the morning,” Casey explains at the opening of King’s (Euphoria, 2014, etc.) latest. The top three are her mother’s recent death, her crushing student loans, and the married poet she recently had a steaming-hot affair with at a writer’s colony. But having seen all but one of her writer friends give up on the dream, 31-year-old Casey is determined to stick it out. After those morning hours at her desk in her teensy garage apartment, she rides her banana bike to work at a restaurant in Harvard Square—a setting the author evokes in delicious detail, recalling Stephanie Danler’s Sweetbitter, though with a lighter touch. Casey has no sooner resolved to forget the infidel poet than a few more writers show up on her romantic radar. She rejects a guy at a party who reveals he’s only written 11 1/2 pages in three years—“That kind of thing is contagious”—to find herself torn between a widowed novelist with two young sons and a guy with an irresistible broken tooth from the novelist's workshop. Casey was one of the top two golfers in the country when she was 14, and the mystery of why she gave up the sport altogether is entangled with the mystery of her estrangement from her father, the latter theme familiar from King’s earlier work. In fact, with its young protagonist, its love triangle, and its focus on literary ambition, this charmingly written coming-of-age story would be an impressive debut novel. But after the originality and impact of Euphoria, it might feel a bit slight.
Read this for insights about writing, about losing one’s mother, about dealing with a cranky sous-chef and a difficult four-top.Pub Date: March 3, 2020
ISBN: 978-0-8021-4853-7
Page Count: 320
Publisher: Grove
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
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