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BOYHOOD

SCENES FROM PROVINCIAL LIFE

A short and unsettling, deftly realized memoir of the celebrated South African writer's childhood in the hinterlands. South African memoirs, whether written by blacks or whites, tend to have a thread of sameness woven through: a sense of time and landscape as forces that irrevocably shape the soul. Coetzee (The Master of Petersburg, 1994, etc.), is no exception. Writing at the remove of the third person, he looks back at his youth in the distant dorp of Worcester, recounting how he was formed by his surroundings. This is not an eventful memoir—it's strength comes, instead, from Coetzee's nuanced, unblinking perceptions. His childhood was not unhappy in the conventional sense; the sadness and tragedies were mainly of the ordinary kind, and in his masterful depiction of them, that's what makes them so shattering. All too clearly, we see his weak, hapless father and his mother who is slowly being pushed to the side of her life—a bad marriage, abandoned career, a son whom she loves absolutely but who is too stubborn and embarrassed to reciprocate. There is the uncalibrated cruelty of children, the heedlessness of adults, Coetzee's pervading sense of difference (magnified by his Afrikaans parents' decision to raise him as English-speaking): "Nothing he experiences in Worcester, at home or at school, leads him to think that childhood is anything but a time of gritting the teeth and enduring." The memoir leaves Coetzee on the cusp of adolescence—at the funeral of an old aunt, where he experiences a small, bittersweet epiphany that seems to herald his becoming a writer. Perhaps Coetzee has removed too much of himself—there is an unsolved distance throughout that keeps this memoir from quite realizing the fullness of its potential. Still, this is a powerful, disillusioned portrait of childhood and how, like South Africa, it encompasses both prelapsarian innocence and unconscionable evil.

Pub Date: Oct. 1, 1997

ISBN: 0-670-87220-2

Page Count: 176

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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