Where is the author of Waiting for the Barbarians and Disgrace, now that we need him most?
The 2003 Nobel laureate’s tenth novel reintroduces wisdom-dispensing Australian novelist Elizabeth Costello, first sighted in Coetzee’s lecture collection The Lives of Animals (1999).
As she did in the author’s 2003 novel Elizabeth Costella Elizabeth functions as doppelgänger and mentor—this time, to 60-year-old former photographer Paul Rayment, who has lost a leg in a bicycling accident. After leaving the hospital, Paul rejects several home-care nurses, until Croatian immigrant Marijana Jokics earns his trust, his gratitude—and his unspoken love. The hardworking Marijana’s busy family life also attracts her aging, infirm patient (who refuses a prosthesis, and is now acutely aware of his loneliness and childlessness), and Paul attempts to play God, offering to pay her teenaged son’s college tuition (and offending Marijana’s husband, a trained engineer underemployed as a mechanic). Enter dea ex machina Costello, a world-renowned writer who’s now a homeless septuagenarian. She seems to know everything about Rayment’s and the Jokics’s histories, and patiently pushes Paul toward fuller involvement in the world: as the lover of a sex-starved blind woman (interestingly named Marianna), a de facto parent-guardian, and an all-round more emotionally (albeit not physically) complete human being. “Become major,” she intones. “Be a main character.” Coetzee never reveals whether (as Paul suspects) he is a character in a novel Costello is writing, perhaps a creature of her imagination, or whether she has (as she repeatedly insists) been “sent” to recall him to life. Slow Man has more narrative than the laxly discursive Elizabeth Costello, and does build appreciable dramatic momentum, before ending inconclusively. Still, one has the uneasy feeling that Coetzee’s Nobel Prize has had an enervating effect, stripping his formerly intricate house of fiction to a shell of its former self: a platform for the abstract musings of a sententious sage.
Where is the author of Waiting for the Barbarians and Disgrace, now that we need him most?Pub Date: Sept. 26, 2005
ISBN: 0-670-03459-2
Page Count: 265
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...
Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.
Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.
Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.Pub Date: June 2, 2003
ISBN: 1-57322-245-3
Page Count: 368
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
SEEN & HEARD
IN THE NEWS
IN THE NEWS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
