A fantasy tale that hums with magic and originality, featuring extensive worldbuilding and a compelling cast of...
Linkhart’s debut novel is set in a reimagined 1927 Chicago, where a series of Tarot-themed murders challenges a magical organization of knights that defends the city.
A stage-setting introduction briefly summarizes the cultural landscape of this novel’s version of 1920s America: There’s no racial segregation, Indigenous majorities administer 13 provinces, and traditional religions are still practiced from multiple African kingdoms colonizing the New World. The Great War recently devastated the globe with “the first full-scale use of magic.” Prohibition is in full swing, and the glamour of jazz and flappers beckons from behind closed doors. In this setting, Bernice Chandler, a knight of the Order of Joan, is summoned to investigate a series of gruesome murders that radiate “the oozing black touch of terrible magics and violence.” She’s assigned a cop partner, Det. Jack Donovan, and the two begin to work the demonic cases while hiding their respective troubled histories. On the night before the first killing, for instance, Bernice was visited by a “portentous” vision of an angel. She escaped an institution in her youth, and she begins to see its nefarious head, Doctor Werner, lurking around the city. She gets unlikely aid from Valentino “Tino” Morandi, a cursed, bootlegging demi-demon who’s obliged by the Order to assist on the case, and he can help rid her of her problem—for a price. As these three characters precariously undertake professional relationships, the action propels them toward a dramatic climax that threatens to consume the city.
The plot maintains punchy pacing in alternating sections from its main characters’ third-person perspectives; symbolic illustrations indicate when the point of view changes. Readers will find themselves easily drawn into this sturdily built world, and they’ll find the inner workings of the all-female Order and their reluctant collaboration with traditional law enforcement to be particularly intriguing. The knights—or “Joanies,” as Tino and his associates call them—are each equipped with the Three Sisters (a chain of hawthorn, rowan, and holly), silver chains, and a sword, and if that isn’t enough, Bernice also carries a .38 strapped to her thigh. The knights also carry Optical Oil—an “applied alchemy” that reveals the dark symbols used to enact the ritualistic killings. Such devices assist in grounding the story’s magical elements in procedure and neatly contrast with Tino’s demi-demon abilities. The Joanies are supported by the Order of Catherine (or “Cathies”), who maintain the extensive Archives on history and magic. The intricate workforce features diverse characters who display genuine camaraderie in their hierarchical structures. Outside of her demanding job, Bernice lives with Lula, a nonmagical, churchgoing woman who shows more than a passing interest in Bernice’s work with the Order. Although the book is somewhat lengthy at more than 400 pages, the pace never drags, as it effortlessly mixes genres to propel the story forward. In this first title in the Degrees of Magic series, Linkhart ably balances character development with intricate plotting, which will make readers look forward to the next installment.
A fantasy tale that hums with magic and originality, featuring extensive worldbuilding and a compelling cast of ne'er-do-wells.Pub Date: May 6, 2025
ISBN: 9798348153519
Page Count: 456
Publisher: Goblin Booth Productions
Review Posted Online: Jan. 31, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
A tender reminder that gratitude is a path we choose, one conversation at a time.
In Green’s inspirational novel, a journalist boarding the wrong train discovers the right moment to speak the words that matter.
Daniel arrives at the Beacon station carrying a leather notebook filled with an unfinished eulogy for his still-living grandfather, only to be swept onto the mysterious 5:07 Gratitude Express, a steam locomotive that appears “for those who want to express gratitude.” His uncanny journey sends him through vividly rendered moments from his own life, where he witnesses the ripple effects of kindnesses he has offered and reunites—sometimes for the first time—with people who were permanently shaped by those actions. Each stop brings a new encounter: A childhood classmate says, “That morning, you altered the course of my life”; an elderly woman confesses, “Your simple act of kindness saved me that day”; a mentor tells him, “You need to figure out what you’re good at and what you like to do. Because when you do that, your potential is limitless.” By the time Daniel reaches Cedarville, intent on seeing his grandfather—the person who most profoundly shaped him—his reflections echo the conductor’s warning that “Time is unpredictable, and unsaid words bring pain and regret.” What follows is a moving affirmation of connection that honors the story’s central message: Appreciation should be expressed to the living. Green structures the narrative as a fable, with emotional clarity and cinematic pacing. The train’s dissolving walls, the recurring whistle rising “high into the dark sky,” and the symbolic briefcase filled with long-kept letters lend the tale a gentle magical-realist texture. While the storyline remains linear and accessible for all ages, the themes—regret, legacy, and intergenerational love—invite adult reflection. The prose is simple, intentionally so, grounding the fantastical elements in an earnest emotional register. This is not a plot-twist-driven story; it’s a quiet parable urging readers to act before time steals their chances. Readers who appreciate heartfelt, uplifting narrative journeys will find resonance in Green’s message.
A tender reminder that gratitude is a path we choose, one conversation at a time.Pub Date: Jan. 27, 2026
ISBN: 9798891385252
Page Count: 80
Publisher: Self
Review Posted Online: Jan. 13, 2026
Review Program: Kirkus Indie
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